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Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 2x Teleconverter increases the lens's magnification by 2x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions.

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The AC-DN10 is a compact and lightweight AC adaptor/charger. Maximum 100W DC power supply and has a V-mount mechanism for direct attachment to compatible camcorders. - Compact and lightweight AC adaptor/charger - Maximum 100 W DC power supply - V-mount mechanism for direct attachment to compatible camcorders - XLR-4-pin output to power other equipment - Charging capability of Sony V-mount lithium-ion batteries (BP-GL95/GL65/L60S) - Quick charging - A BP-GL95 can be fully charged within 145 minutes - Can charge batteries while supplying AC power to other equipment

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The BC-L70A can charge the BP-FLX75 Olivine lithium-ion battery in only 65 minutes. It is also capable of simultaneous, continuous charging of up to two lithium-ion* battery packs. The BC-L70A has the same light weight and compact dimensions as its predecessor, the BC-L70. * The BC-L70A cannot charge nickel metal hydride battery packs BP-M50 or BPM100.  Features: Efficient charging for two battery packs The BC-L70A features an advanced charging system that allows quick, efficient charging; up to two battery packs can be attached and charged simultaneously. Compact and lightweight The BC-L70A is compact, lightweight and easy to carry. Diagnostics functions The BC-L70A checks connected battery packs for abnormalities. Orange and green indicators will flash alternately if a battery pack cannot be charged normally. Charge progress indicator The orange indicator lights to show when a battery pack is charged less than 80%, and the green one when it is charged to 80% or more. Battery back-up Should the AC power cord be accidentally unplugged from the AC power source, a charged lithium-ion battery pack attached to the BC-L70A provides an alternate back-up power to the connected device.

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The Sony BC-U2A Dual-Bay Battery Charger / AC Adapter is a dual-bay charger that supports the simultaneous charging of two Sony BP-U90, BP-U60, BP-U60T, or BP-U30 Li-ion batteries. It also functions as an AC adapter that can be used to power a camera directly while also charging one battery simultaneously. The AC adapter provides a 12 VDC power output via an integrated cable that can be connected to any Sony camera that accepts BP-U series batteries. A selector switch on the front of the device allows you to switch between charger and AC adapter mode.

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The Sony BKM-341HS is an HD/SD-SDI input adaptor board for the LMD entry-level production and medical monitors.

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Sony BLC-BP2 * Belt Clip for UTX-B2, Bodypack Transmitter and URX-P2, Portable Tuner * 2 pieces are included.

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The BP-U100 is a high performance 97 Wh capacity lithium ion battery optimised for professional video shooting. Its high capacity makes the BP-U100 ideal for extended shooting times in the field or in the studio, with the camera either shoulder- or tripod-mounted.Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting.The BP-U100 offers significantly higher capacity than the previous generation BP-U90.

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The BP-U35 is a 35 Wh capacity lithium ion battery optimised for professional video shooting. Its compact size and low weight make the BP-U35 ideal for high-mobility applications such as gimbal mounting.Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting.The BP-U35 offers higher capacity and faster charging time than the previous generation BP-U30.

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Lithium-ion battery pack for a certain PMW/PXW series cameras.The remaining capacity of the battery is displayed on the LCD monitor and viewfinder when the camcorder is powered on.Remaining capacity is indicated by a four-step LED display (more than 80%, 60%, 40%, 20%) when you press the CHECK button.Charging time (using the BC-U1): approx. 170 minutes Terminal pinout

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The BP-U70 is a 72Wh capacity lithium ion battery that offers an ideal balance of capacity and weight for many professional video applications. Battery status data is continuously communicated to the camera. Remaining capacity is displayed on the camera’s LCD monitor and viewfinder, allowing operators to monitor battery status easily and accurately while shooting. The BP-U70 offers significantly higher capacity while having the same charging time than the previous generation BP-U60.

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Remotely capture broadcast quality Full HD images with smooth, silent PTZ and excellent low-light sensitivity. The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections.Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms, classrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator.The 1.0-type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention.Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. In Tele Convert Mode, 24x zoom can be further doubled to 48x without losing HD resolution.Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.The BRC-H800/1 and the BRC-H800/WPW are the US/Canada models which are bundled with the AC-UES1230MT AC power supply and cord. In all other regions the AC power supply and cord are sold separately.Available in black as BRC-H800 and in white as BRC-H800/W.

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Remotely capture broadcast quality Full HD images with smooth, silent PTZ and excellent low-light sensitivity. The BRC-H800 remote camera combines uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections.Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms, classrooms or sports stadiums. It's also particularly suited to efficient multi-camera set-ups, under the control of a single operator.The 1.0-type Exmor R CMOS image sensor captures crisp, low-noise Full HD images at 60p, with excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention.Speedy, near-silent PTZ operation with 12x optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 24x(HD) extending this range even further without visible loss of resolution. In Tele Convert Mode, 24x zoom can be further doubled to 48x without losing HD resolution.Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting. There’s also a broad range of video interfacing and remote control possibilities - plus support for PoE+ and genlock - for smooth integration into any broadcast, professional or corporate AV environment.The BRC-H800/1 and the BRC-H800/WPW are the US/Canada models which are bundled with the AC-UES1230MT AC power supply and cord. In all other regions the AC power supply and cord are sold separately.Available in black as BRC-H800 and in white as BRC-H800/W.

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Remotely capture broadcast quality Full HD images with smooth, silent PTZ The BRC-H900 remote studio camera combines uncompromising broadcast picture quality with the flexibility of PTZ operation.Designed for unattended operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios and on-air suites, auditoriums, houses of worship, courtrooms or outdoor sports events.The sensitive ½-type Exmor 3CMOS image sensor captures detail-packed Full HD footage with low noise and a wide dynamic range. Smooth, speedy remote PTZ with 14x optical zoom and on-board image stabilization accommodates wide-angle scenes and tightly framed close-ups. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table top or tripod mounting.There’s also a broad range of video interface and remote control possibilities, simplifying smooth integration into any broadcast or professional AV environment. This product contains pre-installed software and requires the purchase of license keys to activate some functions.

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Remotely capture broadcast quality 4K images with smooth, silent PTZ and excellent low-light sensitivity The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections.Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios, and on-air suites, auditoriums, faith centers, courtrooms, or sports stadiums. It's also particularly suited to efficient multi-camera setups, under the control of a single operator.The 1.0-type Exmor R CMOS image sensor captures detail-packed 4K footage at 30 p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention.Speedy, near-silent PTZ operation with 12 × optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18 × (4K), 24 × (HD) extending this range even further without visible loss of resolution. In HD resolution, 24 × zoom can be doubled to 48 × with Tele Convert Mode. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table-top, or tripod mounting.There's also a broad range of video interfacing and remote control possibilities—plus support for PoE+ and genlock—for smooth integration into any broadcast, professional, or corporate AV environment.The BRC-X1000/1 and the BRC-X1000/WPW are the US/Canada models which are bundled with the AC-UES1230MT AC power supply and cord. In all other regions the AC power supply and cord are sold separately.Available in black as BRC-X1000 and in white as BRC-X1000/W.

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Remotely capture broadcast quality 4K images with smooth, silent PTZ and excellent low-light sensitivity The BRC-X1000 is Sony's first 4K remote camera, combining uncompromising broadcast picture quality and smooth, silent PTZ operation with the flexibility of 3G-SDI and HDMI connections.Designed for remote operation, this compact but powerful robotic camera is an ideal complement to other broadcast cameras for capturing images in hard-to-reach or unobtrusive positions. It's equally at home in TV newsrooms, remote studios, and on-air suites, auditoriums, faith centers, courtrooms, or sports stadiums. It's also particularly suited to efficient multi-camera setups, under the control of a single operator.The 1.0-type Exmor R CMOS image sensor captures detail-packed 4K footage at 30 p with four times the pixel count of Full HD, and excellent low-light sensitivity. The large image sensor also allows the creation of beautiful 'bokeh' effects with a shallow depth of field to suit any artistic intention.Speedy, near-silent PTZ operation with 12 × optical zoom accommodates wide-angle scenes and tightly framed close-ups, with Clear Image Zoom 18 × (4K), 24 × (HD) extending this range even further without visible loss of resolution. In HD resolution, 24 × zoom can be doubled to 48 × with Tele Convert Mode. Broadcast-friendly features include dual tally lamps for on-air operation, while operational flexibility is enhanced with options for ceiling, table-top, or tripod mounting.There's also a broad range of video interfacing and remote control possibilities—plus support for PoE+ and genlock—for smooth integration into any broadcast, professional, or corporate AV environment.The BRC-X1000/1 and the BRC-X1000/WPW are the US/Canada models which are bundled with the AC-UES1230MT AC power supply and cord. In all other regions the AC power supply and cord are sold separately.Available in black as BRC-X1000 and in white as BRC-X1000/W.

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Capture every point of view in 4K with excellent picture quality and efficient IP production workflow The versatile BRC-X400 PTZ camera is ideal for use in a wide range of environments—from broadcast studios and remote on-air suites to sports stadiums, arenas, houses of worship and lecture halls.The camera's 1/2.5-type Exmor R™ sensor captures broadcast-quality 4K images with excellent sensitivity, very low noise and rich, natural color reproduction. It's complemented by the integrated high-resolution lens that offers a powerful zoom capability of up to 80x in Full HD** (30x in 4K), with an expansive approx. 70 ° wide angle coverage to capture every point of view.Efficient IP-based live production is augmented with support for NDI®|HX (via optional license), allowing flexible configuration with other networked NDI-enabled devices.Images also can be reviewed remotely via a web browser, with support for RTSP (Real Time Streaming Protocol), RTMP*** (Real Time Messaging Protocol) and SRT*** (Secure Reliable Transport) ensuring smooth, stable streaming of video plus audio (from an optional microphone, available separately) over an IP network.Installation and set-up is easy, with a new Picture Setting File**** allowing the same settings to be applied to multiple cameras through a web interface from a laptop or PC. Convenient integration in multi-camera live events is also simplified with genlock support and an "on-air" tally lamp.

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Made with simplicity in mind for DIY cameramen, videographers, vloggers, and journalists working in the field without a crew, the 4th-generation Sony UWP-D27 is a dependable 2-channel, camera-mount wireless lavalier microphone system that delivers uncompromising audio quality, while still being easy to use and fast to set up with no menu diving. This compact system is packed with professional features including one-button NFC Automatic Channel-Setting mode and Auto-Gain functions, which handle time-consuming frequency setup and mic-level adjustments for you—so you're ready to shoot two people talking simultaneously directly to your camera within seconds. It is ideal for documentaries, wedding videos, YouTube content, corporate spots, hands-free interviews, and more. The UWP-D27 offers digital signal processing for pristine audio and analog UHF transmission with true-diversity reception for reliability, even under difficult shooting conditions. Rugged and lightweight, this system includes two bodypack transmitters, each with an ECM-V1BMP omnidirectional lavalier mic. It also comes with a low-profile camera-mount receiver designed for enhanced mobility with compact camcorders and smaller DSLR/mirrorless cameras. Sony shooters can take advantage of the SMAD-P5 digital MI Shoe adapter (available separately), which provides a direct, clean digital audio connection to select Sony cameras equipped with a digital Multi Interface Shoe. The UWP-D27 is backward-compatible with Sony WL-800, UWP Series, and third-generation UWP-D transmitters. Professional Features to Speed Up Your Workflow NFC Automatic Channel-Setting ModePress and hold the NFC/Sync button, and the dual receiver scans for the two cleanest RF channels (one for each transmitter). Simply hold the transmitters next to the receiver; it automatically syncs up and you’re good to go!   Unlike purely digital systems, the UWP-D27 allows you to send a single mic to multiple cameras for broadcast applications. Fast NFC communication makes setup for multiple receivers a breeze. Auto-Gain Mode to Prevent Mic DistortionAuto-Gain mode saves you the time and aggravation of setting and managing the input level on the transmitter. It uses a limiter to help prevent distortion, great when the loudness of the presenter’s voice is unknown. The +15 dB Gain Volume-Boost mode on the transmitters boosts the mic gain by 15 dB to compensate for situations when the mic is not close enough to the presenter’s mouth and the audio level is insufficient. Manual input-level setting is also available. High-Gain Mode for DSLR and Mirrorless CamerasThe High-Gain mode boosts the output level of the receiver, allowing you to turn down the input gain of your DSLR/mirrorless camera to achieve an even quieter signal. External Mic Input for Additional Wired MicrophoneThere is an external mic-input connector on the receiver for plugging in an additional wired microphone. It allows for up to four-channel audio recording when using a stereo microphone. Built-In 4-Channel MixerThe receiver features a 4-channel mixer that enables you to control your mic levels (up to four) as well as assign output 1 or/and 2 as needed. High-Visibility OLED Display for Indoor/Outdoor UseBoth transmitter and receiver feature an easy-to-read OLED display. The quick response of the display lets you see the operating conditions clearly and accurately in real time, even in bright sunlight. Channel Memory Function for Fast Switching Between 4 TransmittersThe channel memory function lets you quickly switch between the groom’s lav mic and the wedding guest’s interview mic with the press of a button. It also allows for a fast change between up to four mics in corporate presentations or quickly swapping to back-up mics. DSP Filter Removes Occupancy Sensors ArtifactsTwo levels of DSP filtering help remove the artifacts caused by occupancy sensors used in modern “green” buildings to turn off lights when people leave a room. Reliable Reception with True Diversity and All-Band Scan To achieve stable audio, the UWP-D receiver employs true-diversity technology with two antennas and two independent receiver sections within the unit. Both RF signals are compared and the stronger signal is automatically selected for output—reducing dropouts to a minimum (True diversity is available only in single-channel mode. In dual-channel mode, the receiver relies on antenna diversity).   The angle of the two antennas can be adjusted to further prevent signal dropouts. Great for videographers traveling to different cities, the All-Band scanning function scans the entire spectrum of the receiver to give you the two best frequencies at your shooting location. The system offers a 72 MHz bandwidth with 2772 UHF frequencies. High-Quality Sound with Digital Audio Processing Unlike traditional analog wireless systems, The UWP-D supplements its proven analog UHF transmission technology with a proprietary digital audio processing. Transient sounds and consonants are reproduced with greater accuracy, resulting in clear, natural sound that’s intelligible and nuanced.   The ECM-V1BMP lavalier mic is optimized for capturing clear and intelligible speech. This omnidirectional mic picks up sound from every direction, allowing for a variety of placement options and freedom of movement. A Compact Build, Ready for the Camera The UWP-D27 features a robust, all-metal construction well suited for tough operating conditions.   The compact bodypack transmitter is lightweight and comfortable for the talent to wear. A locking, 3.5mm BMP-type microphone input connector ensures that your lav doesn’t detach at a critical moment. Using the included shoemount adapter, the receiver easily mounts on your camera, while adding minimal weight to your rig. Cables are included to connect to cameras equipped with either a 3.5mm or an XLR audio inputs. Direct Digital Audio via SMAD-P5 MI Shoe Adapter The optional SMAD-P5 digital MI Shoe adapter allows you to integrate the receiver with XDCAM camcorders and select Sony cameras equipped with a digital Multi Interface Shoe.   This setup provides a direct digital connection, skipping the receiver’s D/A and camera’s A/D converters for superior audio quality and low noise. Audio information such as RF level meter, audio-mute status, and low-battery alert for the transmitters is displayed on the camera's viewfinder. This cable-free configuration allows for fast setup in the field. Multiple Powering Options Two AA batteries (alkaline or NiMH rechargeable type) power the transmitter for up to 8 hours and the receiver for up to 4.5 hours.   A battery count-up timer allows for accurate reading of battery running time to minute accuracy. The transmitter and receiver can also be powered through their USB ports, allowing them to run for numerous hours on a USB power pack or indefinitely, if you have access to AC. With the SMAD-P5 Digital MI Shoe adapter, the receiver can get power directly from Sony cameras equipped with an MI Shoe. Cartridge-type battery cases allow for quick battery replacement on set. Headphone Monitoring for Location Sound If your camera doesn’t have a headphone jack, Phone mode lets you monitor your sound via the receiver’s headphone output while recording. Other Features The RF output level on the transmitter has two settings: the 5mW option allows you to conserve battery life, while the 30mW setting gives you more power to overcome interference, great in busy RF environments. Switchable Mic/Line input level, so you can set the correct gain level for your sound source. Low-cut filter reduces noise caused by wind or machinery—Off / Low (100 Hz) / Mid (150 Hz) / High (200 Hz). The receiver provides a variable output level control of ±12 dB, useful when working with cameras without manual input level control. Simple menus make navigation easy. Advanced menus for in-depth control are also available. The variable mute button on the transmitter can be programmed for latched or momentary muting. It can also be used as a momentary talk button. You can operate up to 16 mics per frequency band in one location. Configure Your System to Do More With this set, you can add the UTX-M40 handheld wireless mic with a cardioid capsule, ideal in situations where you don't have time to position a lavalier mic or you need to quickly pass the mic between several people.   Adding the UTX-P40 plug-on transmitter with 48V phantom power allows you to connect any handheld microphone of your choice for man-on-the-street-style interviews or a shotgun mic for wireless booming. For clearer speech in noisy environments, you can substitute the included lav mic with an ECM-322BMP headset mic. Compatibility with Other Sony Wireless Systems The transmitter can be used with WL-800 Series, UWP Series, or third-generation and fourth-generation UWP-D Series receivers. The transmitter can be used with WL-800 Series, UWP Series, or third-generation and fourth-generation UWP-D Series transmitters.

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The 10-18mm f/4 OSS Alpha E-mount Wide-Angle Zoom Lens from Sony is an ultra wide-angle E-mount zoom lens compatible with the Alpha NEX cameras and NEX Handycam Camcorders. In the 35mm format, the focal lengths are equivalent to a 15-27mm field of view which is extremely wide-angle with exaggerated perspectives- ideal for expansive landscapes, certain interiors and creative portraits and group shots.   With an aperture of f/4.0 throughout the zoom range, fast shutter speeds and low ISO settings can be used even in low light for bright, sharp images. With the Optical SteadyShot Image Stabilization system it is even easier to shoot blur-free photos and videos in low light, regardless of camera shake. Three aspherical lens elements reduce spherical aberration and distortion and Super Extra-low Dispersion glass reduces chromatic aberration for high quality images even at maximum aperture. Fast autofocus is facilitated by movement of the lens elements at the rear of the lens and the 7-blade circular aperture creates smooth, circular bokeh in the out-of-focus areas within the frame. 10-18mm f/4 Super Wide-Angle Zoom Lens This lens offers a constant maximum aperture of f/4 through the entire focal length range, enabling the use of the widest aperture at every focal length. Even in low-light environments, such as outdoors at sunset, users will be able to take advantage of the bright aperture and use fast shutter speeds without unnecessarily raising ISO sensitivity. The 10-18mm (15-27mm in 35mm format) provides an ultra wide angle zoom for shooting landscapes, in tight quarters or for creative exaggerated perspectives. Image Stabilization Built-in Optical SteadyShot image stabilization system provides a 4-stop (approximate) shutter speed advantage, making it significantly easier to achieve crisp, blur-free images and video. Internal Focusing System Lens elements at the rear of the optical system move, allowing rapid auto-focus response. Optics Three Aspherical lens elements correct for spherical aberration and distortion, making it possible to shoot high-contrast, high-quality images with markedly less bleeding even at the maximum aperture. In addition, the optical system employs Super Extra-low Dispersion glass, realizing highly detailed images with reduced color aberration even at the 10mm focal length. Circular Aperture In low-light shots or nightscapes, out-of-focus light sources have a pleasing circular defocused effect.

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Fast F2.8 APS-C standard zoom Sony’s first 16-55 mm (24-82.5 mm full-frame equiv.) APS-C zoom with a constant F2.8 aperture is remarkably compact while offering performance befitting the G Lens series. A new optical design delivers excellent corner-to-corner resolution, and beautiful bokeh is available when needed. It is compact, lightweight, and ideal for a wide range of subjects.   High resolution throughout the zoom range, even at F2.8 Two AA (advanced aspherical) and two aspherical elements suppress aberration for outstanding corner-to-corner G Lens resolution, while three ED (Extra-low Dispersion) glass elements reduce colour bleeding to a minimum. Sony’s original Nano AR Coating adds superior resistance to flare and ghosting for crisp contrast. Precise spherical aberration control and a 9-blade circular aperture contribute to smooth bokeh.   Compact, lightweight, and bright Optimised mechanical and optical design achieve a weight of just 494 grams (17.5 oz.) in a compact, constant F2.8 16-55 mm (24-82.5 mm full-frame equiv.) zoom lens. This fine lens is ideal for everything from portraits to everyday snapshots, combining with compact E-mount bodies to form a highly mobile, manageable system for a wide range of photographic applications.   XD Linear Motor for fast, precise AF and tracking The same type of advanced XD (eXtreme Dynamic) linear motor that maximises focus performance in G Master series lenses is employed in this APS-C lens. The XD Linear Motor fully utilises the speed potential of the camera body, focusing on and tracking even fast-moving subjects with outstanding speed and precision. Operation is also quiet, allowing videographers to take advantage of the constant F2.8 aperture.   Professional control and reliability A customisable focus hold button, AF/MF mode switch, and Linear Response MF add control versatility and precision that can help get the shot even in difficult, changing conditions. The front lens element is fluorine coated to repel water and grime, and the lens is dust and moisture resistantso that that it can be used with confidence in challenging outdoor environments.

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With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording. The body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly. For smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood's shuttered design can be closed when the camera is not in use.   Smooth Motion Optics Sony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design. Versatile Zoom Control In addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length. Professional Focusing Features The focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories.  Compact Design The lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well.  Optical SteadyShot Built-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement. Weather Resistance A dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions. Teleconverter Support This lens is fully compatible with Sony's separately available SEL14TC 1.4x and SEL20TC 2x teleconverters, providing extended reach while maintaining sharp images and reliable autofocus.

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Sony EC-0.46BX * 3.5 mm dia. (5/32 inch dia.), 3-pole mini phone plug with a lock mechanism to 3-pin female XLR type connector * Allows a equipment with a 3-pin female XLR input connector to be connected to the URX-P2 Portable tuner * Cable length: 0.46 m (1.5 feet)

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Sony EC-0.8BM * 3.5 mm dia. (5/32 inch dia.), 3-pole mini phone plug with a lock mechanism to stereo mini-plug * Allows a equipment with a stereo mini input connector to be connected to the URX-P2 Portable tuner * Cable length: 0.88 m (2.9 feet)

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Sony EC-1.5BX * 3.5 mm dia. (5/32 inch dia.), 3-pole mini phone plug with a lock mechanism to 3-pin male XLR type connector * Allows a equipment with a 3-pin male XLR output connector to be connected to the UTX-B2 bodypack transmitter * Cable length: 1.5 m (4.9 feet)

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Sony ECM-44BMP Sony has produced over five million professional ECM (Electret Condenser Microphones) microphones and the ECM-44 is the affordable, general voice model. It provides good sound quality and is widely used in business presentation systems and TV production. The ECM-44 is available in four versions, featuring different connector types. This model, ECM-44BMP, has a 3.5mm locking jack for use with WRT-805 wireless transmitter. Convenient to use The ECM-44 is an affordable alternative to the traditional hand held microphone and being 'hands free' it allows the presenter to concentrate on her/his performance Professional image Either 'in front of camera' or at a business presentation the ECM-44 creates a professional and tidy image. Easy to use It can often be difficult to achieve good quality voice pick-up but the ECM-44 can help get good results. The microphone's capsule is designed for general voice pick-up with a mid-frequency emphasis characteristic and a suitable frequency response.

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The Sony ECM-674 is an affordable shotgun-type electret condenser microphone, which delivers excellent sound performance in field and studio productions. Offering high-sensitivity, low-noise characteristics and flat-and-wide frequency response in a compact and lightweight design. The ECM-674 is well-suited for use with Sony camcorders such as the HDV Series, DVCAM Series, and XDCAM Series. In addition, its two-way powering feature allows for both microphone power operation and battery operation. With its high performance, affordable price, and great versatility, the ECM-674 microphone is an ideal choice for a range of sound-acquisition applications.

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Sony ECM-77BMP The Sony ECM-77 is probably the most often seen lapel microphone on TV and it is used widely in both studio production and on location. Its popularity is based on a combination of excellent sound quality, robust construction and an attractive cosmetic design. This microphone is the ECM-77BMP which is supplied with a 3.5mm locking jack for use with WRT-805 and UWP series wireless transmitter Hands Free As a lapel microphone, the ECM-77 is an alternative to the traditional hand held microphone and being 'hands free' it allows the presenter to concentrate on her/his performance. Professional Image The ECM-77 is probably the most seen microphone on TV and its compact design creates a professional image. Easy and Familiar Operation The ECM-77 is an essential tool for achieving good quality voice recording. The microphone's capsule is designed for voice pick-up with an extended frequency response and impressive sensitivity. The popularity of the microphone in TV production means that most sound people will be familiar with using the ECM-77.

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Sony ECM-HZ1UBMP High quality headset microphone ideal for presenters and vocalists The ECM-HZ1UBMP works with the ZTX-B02RC body-pack transmitter and is supplied with the DWZ-B70HL package. The lightweight headset keeps you comfortable and stress-free even when wearing it for long periods of time. The ear-clip-style design allows you to wear it on either your left or right ear.

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Sony ECM-LZ1UBMP High quality lavalier microphone ideal for presenters and vocalists The ECM-HZ1UBMP works with the ZTX-B02RC body-pack transmitter and is supplied with the DWZ-B70HL package. The uni-directional electret condenser lavalier microphone is ideal for commercial sound applications such as presentations, lectures and conferences. Comes supplied with mic holder clip and windscreen.

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The ECM-MS2 compact Electret condenser microphone is designed to work with handheld camcorders. The compact 137mm length prevents the microphone inadvertently appearing in view and makes it easier to transport. The ECM-MS2 offers both stereo and mono operation, increasing the versatility of the microphone. It allows, for example, for one channel to record environmental sounds, while the second channel is used for a second microphone to record voice. This makes the microphone very well suited to applications such as news gathering and documentary shooting on location.

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Sony ECM-V1BMP * Omni-directional, electret condenser microphone * Supplied with 3-pole locking mini plug

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The ECM-VG1 is specifically designed for professional field and studio production applications at an affordable price.It is extremely lightweight and is supplied with an innovative windscreen that suppresses wind noise, making it a perfect choice for field sound shooting with a compact camcorder or attached to a boom pole.

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Sony ECM-X7BMP * Uni-directional, electret condenser microphone * Supplied with 3-pole locking mini plug

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At the 12-mm end of its range, this 12–24-mm constant F2.8 zoom lens offers an ultra-wide angle of view. An innovative optical design works with Sony's advanced XD Linear Motors to deliver outstanding G Master image quality in a lightweight lens that also features fast, precise autofocus, smooth control, and solid reliability. Bright F2.8 maximum aperture from 12 mm to 24 mm The ultra-wide 12-mm angle of view available with this versatile lens makes it possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye. Expand your artistic palette with deep, engaging visual imagery. Innovative optics with the largest XA element in any α lens Three XA (extreme aspherical) elements, including the largest ever made, combine with one aspherical element in an innovative optical design that achieves stunning G Master resolution throughout the image area. Two Super ED (Extra-low Dispersion) and three ED glass elements suppress chromatic aberration, and a new Nano AR Coating II minimizes flare and ghosting for clear, crisp imagery. Constant F2.8 brightness 12–24-mm zoom with a constant F2.8 maximum aperture is ideal for shooting night scenes, starry skies, and other low-light subjects at low sensitivities without having to use extremely slow shutter speeds. Ultra-wide angles and large aperture in a small, lightweight zoom An advanced optical design with four aspherical elements, including three XA types, plus a mechanical design that features Sony's original XD linear motors, in a compact, lightweight 12–24-mm constant F2.8 zoom that delivers stunning image quality. In addition to being ideal for landscapes, night scenes, and architecture, this lens provides extra mobility for active sports photographers shooting wide angles. XD Linear Motors for fast, accurate AF and reliable tracking Four XD Linear Motors, two for each of the lens's focus groups, contribute to fast, precise autofocus and tracking that make full use of the speed potential provided by high-performance α camera bodies. New control algorithms maximize the response of the XD Linear Motor system while achieving flawless synchronization between the focus groups. Operation is also quiet with minimal vibration. Control and reliability for professional applications A focus hold button, focus mode switch, zoom ring, focus ring, and other controls are designed and positioned for easy operation and a smooth workflow. Alternative functions that support the user's individual shooting needs can be assigned to the focus hold button via camera body menu settings. A fluorine front element coating plus a dust- and moisture-resistant design ensure high reliability in challenging environments.

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Ultra-Wide for Dynamic Spatial Expression This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. It is an excellent choice for dynamic landscape and architecture photography. Outstanding mobility and quiet, fast, precise autofocus make it ideal for shooting movies as well as stills. High resolution at ultra-wide angles Refined ultra-wide-angle optics capture expansive scenes with outstanding resolution and clarity. Compact, lightweight and mobile A new design significantly reduces overall length and front element size while maintaining the highest possible optical performance. And it weighs a mere 565 grams. Fast, quiet AF for stills and movies This lens features an advanced inner-focus mechanism driven by Sony's Direct Drive SSM (DDSSM) system for fast, accurate AF lock-on as well as smooth, quiet operation. Fingertip control and high reliability A customizable focus hold button provides extra control versatility, while dust and moisture resistant design means reliable operation even in challenging conditions.

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An F1.8 135mm prime with superb resolution, bokeh, and AF Unsparing application of Sony’s most advanced optical technologies has produced a large-aperture prime telephoto lens that delivers outstanding corner-to-corner resolution even at F1.8, plus exquisite bokeh that is a hallmark of the G Master series. XA and Super ED elements deliver high resolution XA (extreme aspherical), Super ED (extra-low dispersion) glass, and ED glass elements precisely deployed in an advanced optical design effectively correct aberration, while a floating focus system works with these aberration correction measures to ensure that the highest possible resolution is maintained right out to the image edges throughout the lens's focus range. Narrow depth of field with breathtaking G Master bokeh The extremely high surface precision of XA elements, careful control of spherical aberration at both the design and the manufacturing stages, and an 11-blade circular aperture all come together to produce spectacularly smooth, elegant G Master bokeh that maximises the creative potential of the narrow depth of field available with this 135mm F1.8 lens. Dual front and rear XD linear motors achieve fast, precise, quiet AF Sony’s innovative XD (extreme dynamic) linear motors also play an important role, making it possible to maintain focus on moving portrait subjects, performers on stage, or similarly dynamic subjects with impressive speed, precision, and reliability, while also providing AF control that is quiet and virtually free of vibration. Floating focus mechanism for improved close-up capability Although it is a 135-millimeter telephoto lens, a floating focus system that effectively controls aberration at all focusing distances has made it possible to achieve a minimum focus distance of just 0.7 meters (2.3 ft) and a maximum magnification of 0.25x for close-up photography. Small accessories and other subjects can be captured with remarkable resolution and soft, beautiful background bokeh. Superior imaging plus mobility, operability, and reliability The important features include customisable focus hold buttons, a focus range limiter, an aperture ring with switchable click stops, a dust/moisture resistant design1, and a fluorine coated front element. Overall, this is a lens that meets professional requirements for control and reliability for both stills and movies.

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New views from a 14mm F1.8 masterpiece This large-aperture ultra-wide-angle prime lens offers G Master quality in an innovative design that is incredibly compact. Advanced technology achieves breathtaking resolution plus exquisite bokeh even at maximum F1.8 aperture. Add fast, precise AF and extraordinary mobility, and you have a lens that can capture fresh views of everyday scenes. Spectacular image-wide resolution all the way to F1.8 Two XA (extreme aspherical) elements in a design that meets stringent G Master standards achieve outstanding corner-to-corner resolution all the way up to the lens’s maximum F1.8 aperture. One Super ED (Extra-low Dispersion) and two ED glass elements thoroughly suppress color bleeding for outstanding image-wide sharpness and clarity, while Sony’s Nano AR Coating II effectively minimizes flare and ghosting. Large-aperture ultra-wide perspectives in an incredibly compact lens Precision aspherical elements including two ultra-precise XA elements in an innovative G Master optical design work with two of Sony’s state-of-the-art XD Linear Motors to realize extraordinary overall performance in a remarkably compact lens that weighs just 460 grams. This is one ultra-wide large-aperture lens you carry around anywhere, reshaping the world with creative new perspectives. Resolution and compact convenience for impressive night skies Adding to the versatility provided by its large aperture and ultra-wide angle of view, advanced optics with a high-curvature XA front element minimize sagittal flare when shooting starry skies and other night scenes. The large F1.8 maximum aperture allows low-light shooting without having to use extremely slow shutter speeds, while compact dimensions let you shoot anywhere with ease. Exquisitely smooth bokeh in ultra-wide views With precise XA elements, a 9-blade circular aperture mechanism, and optimally managed aberration, this unique ultra-wide lens is capable of creating exquisite background bokeh without undesirable onion-ring artifacts. Minimum focus distance is just 0.25m, so you can move right in to combine dynamic close-up perspectives with beautiful bokeh in expansive backgrounds. Fast, precise, quiet AF supports stills and movies Two XD (extreme dynamic) Linear Motors provide the thrust efficiency required to accurately position the lens’s focus groups, achieving fast, precise, quiet AF performance that maximizes the speed potential of E-mount bodies. Quiet, low-vibration AF is an unprecedented advantage for shooting movies with ultra-wide angles, while mobility and fast response give creators the freedom to work effectively with any subject. Outstanding reliability for any application In addition to a fluorine coating on the front element that repels water, oil, and other contaminants, the rear element is also fluorine coated to keep that surface clean when changing the rear filter. A dust and moisture resistant design1 maximizes reliability when using this large-aperture ultra-wide-angle lens in challenging outdoor conditions.

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Explore the world in wide-angle detail G Master performance in a wide-angle F2.8 16-35mm zoom offers a wealth of opportunities to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner-to-corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. High corner-to-corner resolution Uncompromised optical design achieves extremely high corner-to-corner resolution and contrast for landscape, architecture, and other expansive subjects. Gorgeous background bokeh Shoot close at F2.8 to capture sharp subjects with dynamic, painterly backgrounds consisting of delightfully smooth bokeh. A perfect balance of resolution and bokeh An advanced optical design that includes two Sony XA (extreme aspherical) elements achieves outstanding resolution, low distortion, and smooth, beautiful bokeh. Light and compact for high mobility Class-leading size and weight reductions make this 680-gram lens an ideal match for compact E-mount bodies, providing an eminently portable, easily manageable system.

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Telephoto power meets G Series precision FE 70–200mm F4 G OSS Telephoto Zoom (SEL70200G) Shooting sports or wildlife, the SEL70200G comes into its own. Covering the 70–200mm range where much of the telephoto action occurs, it combines refined G Series optics with built-in image stabilisation. Dust and water resistant, it also features the Sony Nano AR Coating to minimise flare and ghosting. See the difference with G Lens Renowned for their descriptive power, G Series lenses maintain excellent peripheral light characteristics and maximum contrast even at the edges of the frame. Smooth defocusing Instead of a standard polygon-shaped lens aperture, this lens features a 9-blade circular aperture for more natural, rounded defocusing or ‘bokeh’. Refined optical performance Precision optical technologies include Advanced Aspherical (AA) elements, Super ED (Extra-low Dispersion) glass elements, and the Sony Nano AR coating. Fast, agile focusing An internal focusing mechanism means the lens barrel doesn’t move, enabling a more compact design, faster autofocus response, and reduced minimum focusing distances. Capture smooth, blur-free images Built-in Optical SteadyShot™ image stabilisation within the lens ensures smooth, blur-free photos and videos when shooting handheld. Nano AR coating This lens coating has been designed to accurately transmit light while reducing the negative effects of glare, reflection and ghosting. This creates shots with enhanced contrast, clarity and overall image quality. Constant F4 maximum aperture Shooting at a constant F4 aperture across the entire 70–200mm focal length, you’ll always be able to capture sharp, controlled images. At full zoom, you can lower your ISO setting and increase your shutter speed, so you can capture every second of the action without the worry of noise distortion.

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Sony technology delivers advanced optical performance and operation for professional 4K moviemaking The SELP28135G is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the α7S or a Super 35 format camcorder such as the PXW-FS7*. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a priority, so an SSM (Super Sonic wave Motor) drive system has been employed for precise, quiet zooming. Independent control rings for zoom, focus, and iris using physical stops are provided for the first time into an E-Mount an lens. Built-in Optical SteadyShot image stabilization adds to the extraordinary performance of this outstanding lens which is supporting a constant F4.*Zoom range increases to 42-202.5mm when using the lens on an APS-C or Super 35 camera. 35mm full frame imagery Precision optical design supports top-quality 4K production with minimum angle of view variation while focusing and axial displacement while zooming. F4 OSS with extendable zoom range The SELP28135G has minimum focus of 0.4 m (AF) / 0.95 m (MF) and has extanded zoom range of 42-202.5mm when used on an APS-C or S35 camera. High speed operation with independent control rings High-end operation and feel inherited from Sony professional equipment. Three control rings for iris, focus and zoom offer manual control for demanding large format production. Quiet operation The world’s first SSM (Super Sonic wave Motor) drive in a lens designed for moviemaking achieves quiet zoom and extra-smooth iris control. Lightweight and compact Compact, lightweight design that is also dust and moisture resistant is ideal for situations that require mobility plus reliability.

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apture cinematic, full-frame footage in PTZ form for broadcast use, reality shows, houses of worship, and live events and sports with the black FR7 Cinema Line PTZ Camera from Sony. This versatile camera features the unique ability to use interchangeable Sony E-mount lenses and is currently compatible with up to 70 E-mount lenses ranging from 12 to 1200mm. The large image sensor provides 15+ stops of dynamic range, captures up to UHD 4K120 video, offers live streaming, supports S-Cinetone, Cine EI, and MLUT looks for matching select Sony cameras, and enables you to create shallow depth-of-field bokeh effects. The FR7 PTZ camera features flexible PoE++ (Power-over-Ethernet) installation, up to 100 preset positions, tally lamps, a built-in electronic ND filter, 5-pin XLR audio input, and multicamera functions like timecode and Genlock. Versatile control options include an IR remote, compatibility with controllers like the Sony RP-IP500, and a remote web app for tablets and computers. Expressive 4K Imaging Full-Frame Sensor The FR7 combines a 4K full-frame sensor and compatibility with Sony E-mount lenses to produce outstandingly expressive, cinematic imagery 15+ stops of dynamic range and a base ISO of 800 that is expandable from 12,800 to 409,600 for capturing optimal video in an array of lighting conditions Sony E-Mount Compatibility with up to 70 Sony E-mount lenses covers a range of 12 to 1200mm, enabling you to capture the widest vistas and the closest details Use with G Master (GM) lenses to obtain impressive resolution and pleasing bokeh Imaging Functions Capture rich detail and wide color using Sony S-Log3 and create nuanced contrast with Hybrid Log Gamma (HLG) Built-In ND Filters An integrated, electronic ND filter offers variable ND filtration ranging from 1/4 (2 stops) to 1/128 (7 stops) Use the ND filter to compensate for changes in exposure without affecting your depth of field Create shallow depth-of-field effects by adding the ND and opening the iris SDI Raw Output The FR7 can output raw video via the SDI (BNC) output to an external recording for color grading and other post-production tweaking UHD 4K 120p Recording Record UHD 4K video at rates up to 120 fps for slow-motion effects Remote & Robotics Functions IP Control Use the IP remote function to control your camera from a distance like a broadcast truck and/or to control multiple cameras Smooth Movement Slow, smooth pan and tilt movements enable you to unobtrusively zoom in on the action and reframe accordingly Video Output & Streaming Output video using the HDMI and up to 12G-SDI video outputs Stream RTSP, SRT, or NDI|HX (requires NewTek license) using the LAN port Control Options The included IR remote can be used for pan, tilt, zoom (PTZ), focus, recording, playback, and other camera settings Use with the separately available RM-IP500 control panel with joystick zoom rocker, and buttons Web app remote control can be accessed from a tablet or PC browser Mounting Mount on a tripod or riser using the two 1/4"-20 threads Use the optional mount to attach the FR7 camera to a ceiling Attach camera accessories using the 15mm rod mounts Cinematic Multicamera Use Cine-Style Capture Bring a cinematic look to your PTZ capture and match footage from other Sony cameras with the S-Cinetone picture profile The Cine EI mode with MLUT management can be used with S-Log3 or raw recording XAVC recording with metadata capture supports up to 10-bit, 4:2:2 color and HDR recording Hybrid Autofocus Fast hybrid autofocus with face detection and touch tracking enable you to keep even dynamic action in focus Up to 100 Presets Quick control with up to 100 preset positions Interfaces A robust interface includes a LAN port for network and PoE++ use, timecode input, a genlock connector, and red/green tally indicators Dual media slots are compatible with both CFexpress Type A and SDXC memory cards

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Voor deze Sony Grip voor de FS5(K) zijn ook losse onderdelen te krijgen. Neem hiervoor contact met ons op

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Designed for single-operator image capture yet offering multiple pro video functions, the FX3 Full-Frame Cinema Camera is Sony's most compact addition to its Cinema Line. This camera melds the high-end video capture of the FX6 with the petite form of the a7S III familiar to so many mirrorless enthusiasts. Well positioned for use as a B-camera on FX6, FX9, or even VENICE productions, the FX3 also serves as a comfortable option for still photographers branching out into video capture. The full-frame Sony FX3 employs a 12.1MP Exmor R BSI CMOS sensor and a BIONZ XR processor to capture up to UHD 4K video with the shallow depth of field that is signature to the full-frame format. An expanded ISO range of 80 to 409,600, over 15 stops of dynamic range, and limited rolling shutter effects further complement the FX3's sensitive, nuanced image capture. Its lightweight, compact form is designed with multiple accessory threads to facilitate cage-free use, and it comes with a detachable, dual XLR/TRS adapter handle for pro audio capture. Operating features include an articulated, touchscreen LCD, multiple autofocus options, and 5-axis, in-camera image stabilization.

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The MDR-7506 is a large diaphragm foldable headphone designed for professional studio and live/broadcast applications.HIGHLIGHTS Rugged Design Folding Construction 40mm Driver Unit Closed-Ear Design Stereo Unimatch Plug Gold Connectors and OFC Cord Supplied Soft CaseFEATURESSPECIFICATIONS   Rugged Design: proven to be reliable in the toughest situations Folding Construction: compactness in storage 40mm Driver Unit: for clear, high quality sound reproduction Closed-Ear Design: comfort and reduction of external noise interference Stereo Unimatch Plug: 1/4" and 1/8" applications Gold Connectors and OFC Cord: reliable and stable signal connection and   transmission Supplied Soft Case: for protective storage Headphone type: Circum-aural, dynamic Frequency response: 10-20kHz Driver size: 40mm Magnet type: Neodymium Impedance: 63 ohms at 1 kHz Sensitivity (db/mW): 106 Power Handling Capacity (mW): 1000 mW  Plug-type: Gold, Stereo Unimatch plug 1/4" and 1/8" Cord length: 1 to 3 m Weight: 230 g (without cord)

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The PXW-FX9 input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously. The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record DCI (4096 x 2160), UHD (3840 x 2160), and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera. The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver. The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

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The PXW-FX9 input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously. The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record DCI (4096 x 2160), UHD (3840 x 2160), and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera. The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver. The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

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Sony's PXW-Z190 camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p relying on three 1/3" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 25x optical Sony G zoom lens and an electronic variable ND filter. The camera supports a variety of codecs out of the box, with an optional MPEG HD license enabling you to shoot HD video. The camera supports HLG (Hybrid Log Gamma), allowing you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. Dual SD card slots permit a variety of recording options, including simultaneous HD and 4K recoding. The camera features built-in 2.4 and 5 GHz Wi-Fi.

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Sony's PXW-Z280 camcorder continues the fine tradition of the XDCAM series of cameras. It captures 4K at up to 60p relying on three 1/2" Exmor R sensors that provide improved low-light capability when compared to standard sensors. The camera integrates a 17x optical zoom lens and an electronic variable ND filter. The camera supports modern codecs such as XAVC, as well as legacy codecs such as MPEG HD and DVCAM, allowing you to use one camera to shoot 4K, HD, or SD video. The camera supports S-Log 3 for improved performance, and HLG (Hybrid Log Gamma) which allows you to shoot and deliver footage compatible with both HDR (high dynamic range) and SDR (standard dynamic range) without needing laborious post-production work. You can record in both 4K and HD simultaneously, or output 4K 60p via the built-in 12G-SDI output. The camera features built-in 2.4 and 5 GHz Wi-Fi.  

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The PXW-Z90 from Sony offers phase-detection autofocus (AF) and HDR capabilities in a compact, palm-style body. Suitable for corporate events, broadcast news, and television production, the PXW-Z90V camcorder features a stacked 1" Exmor RS CMOS sensor with UHD 4K (3840 x 2160) resolution, a 12x Zeiss optical zoom, an OLED viewfinder, and 3.5" touchscreen LCD monitor. It can record 4K in XAVC Long at 4:2:0, HD in XAVC Long at 4:2:2 10-bit, as well as MPEG HD at 4:2:2 (requires optional license key). S-Log3/S-Gamut3 functions offer users additional image control. The PXW-Z90 is the first professional palm-sized camcorder to deliver stunning 4K High Dynamic Range (HDR) content with Hybrid Log-Gamma (HLG) file-based workflows. S-Log3 is also supported, enabling you to create beautiful imagery with a wide colour gamut and colour range. High Frame Rate shots can turn everyday actions into slow motion ballet and the PXW-Z90 delivers a stunning 120 frames per second (fps) in Full HD XAVC 10bit 4:2:2, giving you continuous 5 times slow motion expression. Higher frame rates up to 960fps using S&Q motion cache recording are also possible for even greater creative flexibility. The camcorder features a broadcast standard 3G-SDI output (supporting 1080 60p/50p), a Multi-Interface (MI) Shoe, HDMI and Remote interface to connect with and control remotely a wide variety of compatible Sony accessories, including creating a simple live solution when connected to the optional MCX-500 Multi Camera Live Producer and RM-30BP Remote Commander.

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