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Distribute a single SDI video input to up to eight SDI outputs. Features the latest multi rate 12G-SDI connections with full SDI re-clocking allowing the converter to automatically switch between all SD, HD and Ultra HD formats up to 2160p60. Perfect for distributing a single SDI signal to multiple devices such as monitors, switchers and encoders.

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Convert from 12G-SDI to Analog. Use SD, HD, 6G and 12G-SDI rates and convert to analog video output. Built in down converter lets you connect Ultra HD sources to component video equipment in SD or HD. Allows you to connect analog equipment including Betacam SP, VHS, and video monitors.

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De-embed audio from any SD, HD or Ultra HD SDI video connection and output 2 channels of analog audio to balanced XLR, optical or HiFi RCA, or output up to 4 channels of AES/EBU digital audio. Perfect for converting and outputting SDI audio to a massive range of audio equipment such as audio mixers, iPods, analog broadcast decks, audio monitors and more.

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Advanced 8K HDMI monitoring solution for converting SDI sources to HDMI in all HD, Ultra HD and 8K formats up to 4320p60. Includes 4 HDMI 2.0 output connections, built in down converter, HDR formats, 33 point 10‑bit RGB LUTs, built in waveform, parade, vector and histogram scopes, monitor calibration and more.

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Convert from 12G-SDI to HDMI. Supports all video formats including SD, HD, 6G and 12G-SDI rates and includes down converter when working with a HDMI monitor, which will select the best format it can support. De-embed audio to balanced analog or AES/EBU formats and timecode output. Also includes Instant Lock on HDMI output as well as 33 point LUT. Perfect for using HDMI televisions as SDI broadcast monitors and for connecting to video projectors.

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Add front panel controls to your Teranex Mini models to adjust settings and to turn features on and off.

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Ultimatte 12 4K is an advanced real time compositing processor designed for keying live action video with next generation broadcast graphics, virtual sets and more. Ultimatte 12 4K features new algorithms and color science, incredible edge handling and color separation, amazing color fidelity, and better spill suppression than ever before. The high performance 12G-SDI design gives you the power to work in Ultra HD and HD with sub pixel processing for an amazing image. Add an Ultimatte 12 to Each Camera! When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view! With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds! Generate Live VirtualEnvironments for Broadcast! Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene! Plus the new Ultimatte 12  models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind! Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting.

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Ultimatte 12 8K is an advanced real time compositing processor designed for keying live action video with next generation broadcast graphics, virtual sets and more. Ultimatte 12 8K features new algorithms and color science, incredible edge handling and color separation, amazing color fidelity, and better spill suppression than ever before. The high performance Quad Link 12G-SDI design gives you the power to work in HD, Ultra HD and incredible 8K with sub pixel processing for an amazing image. Add an Ultimatte 12 to Each Camera! When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view! With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds! Generate Live VirtualEnvironments for Broadcast! Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene! Plus the new Ultimatte 12  models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind! Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting.

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Ultimatte 12 HD is an advanced real time compositing processor designed for keying live action video with next generation broadcast graphics, virtual sets and more. Ultimatte 12 HD features new algorithms and color science, incredible edge handling and color separation, amazing color fidelity, and better spill suppression than ever before. The high performance 3G-SDI design gives you the power to work in HD with sub pixel processing for an amazing image. Add an Ultimatte 12 to Each Camera! When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view! With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds! Generate Live Virtual Environments for Broadcast! Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene! Plus the new Ultimatte 12  models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind! Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting.

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Ultimatte 12 HD Mini is an advanced real time keyer designed for creating next generation virtual sets and more with consumer cameras. The HDMI connections are perfect for use with Blackmagic Studio Cameras, Pocket Cinema Cameras and ATEM Mini live production switchers. Plus there’s a massive 6 GB frame store for realistic fixed camera virtual sets from pre rendered still frames. Ultimatte 12 HD Mini features broadcast quality algorithms and color science to deliver photorealistic composites. Add an Ultimatte 12 to Each Camera! When you’re working live with multiple cameras shooting from different angles, it’s common for the green screens to suffer from variations. Plus the keyers built into live production switchers often have to be shared between cameras, which complicates keying because each camera sees the green screen a little differently. The new Ultimatte 12 eliminates these problems because you get incredible technology at an affordable price, allowing each camera to have a separate Ultimatte. That means each Ultimatte can be tuned to a specific camera’s view! With a dedicated Ultimatte on each camera, your compositions can go well beyond what's possible with set design, so you can create whole new worlds! Generate Live Virtual Environments for Broadcast! Whether you’re working in broadcast news, sports, film production, or magazine style entertainment programming, Ultimatte 12 has the quality for incredibly life like composites that place your talent into any scene! Plus the new Ultimatte 12  models include built in frame stores so you don't need live video sources for all inputs. You can also use Ultimatte 12 to layer computer generated augmented reality foreground objects into a scene, complete with realistic transparency that your talent can walk behind! Ultimatte 12 is also perfect for on set pre visualization in film production because it lets actors and directors watch the scene while they’re shooting.

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Now you can control up to 8 different Ultimatte 12 units at the same time via Ethernet. Smart Remote 4 features a 10.1 inch touchscreen for quickly navigating menus and adjusting settings, along with hard buttons with online and on air indicators for quickly switching between units. The file clear button automatically adjusts the most important settings to instantly give you incredible composites!

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UltraStudio 4K Extreme 3 is the world’s most advanced capture and playback solution for PCI Express and Thunderbolt computers! It features incredibly fast 40Gb/s Thunderbolt 3, advanced 12G‑SDI and HDMI 2.0 connections for working at up to 60 frames per second with deep color, 12‑bit RGB, support for HDR workflows via HDMI 2.0a and extremely large 4K frame sizes. Featuring the widest range of analog and digital connections, UltraStudio 4K Extreme 3 is compatible with virtually any camera, deck, router or display. There’s even an extremely powerful hardware encoder built-in that supports realtime H.265 encoding!

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UltraStudio 4K Mini is a portable Thunderbolt 3 capture and playback solution packed with the latest broadcast technology! You get broadcast quality 8 and 10‑bit high dynamic range capture in all formats up to 4K DCI at 60p, and 12‑bit high dynamic range capture in all formats up to 4K DCI at 30p. Plus, the built in SD card reader lets you mount camera media directly on your computer so you can start editing immediately!

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UltraStudio HD Mini features professional broadcast quality connections that include 3G-SDI, analog YUV and composite NTSC/PAL video inputs, along with a reference input. There are also two ¼” audio connections for analog audio input that work with balanced and HiFi sources. In addition, UltraStudio HD Mini can remote control professional broadcast decks using the built in RS-422 connection. For output, you get dual link 3G-SDI with fill and key, and an HDMI connection for monitoring video with a big screen television!

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Get the world’s smallest 3G-SDI and HDMI video playback from your Thunderbolt 3 laptop or desktop computer! UltraStudio Monitor 3G supports broadcast quality 10 bit professional SDI and HDMI monitoring from popular editing software such as DaVinci Resolve, Final Cut Pro, Media Composer and Adobe Premiere Pro CC, plus high end broadcast graphics and titling systems.

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Get the world’s smallest pocket sized SDI and HDMI video capture for your Thunderbolt 3 laptop or desktop computer! UltraStudio Recorder 3G features the highest quality 10 bit uncompressed and compressed video capture that’s compatible with all popular video software including DaVinci Resolve, Avid Media Composer, Adobe Premiere Pro CC and hundreds more!

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De Blackmagic Design Universal Rack Shelf is ontworpen om montageopties te bieden voor meerdere Blackmagic-systemen. Het is geschikt voor maximaal 3 Teranex Mini-converters, HyperDeck Studio HD Mini's, ATEM Television Studio HD's, Multiview 4's of een combinatie hiervan om je workflow aan te passen, allemaal in een 1RU-vormfactor.

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The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You can even change the lens mount! No other broadcast camera is so flexible! The Blackmagic URSA Studio Viewfinder G2 is based on a large 7 inch display and is perfect for tripod mounted studio camera use. It totally transforms the camera into a true studio camera. The studio viewfinder also includes a large tally light and easy to access controls. It's even fully adjustable. The Blackmagic URSA Studio Viewfinder G2 mounts using a standard V-Lock mount, so it’s easy to attach it to the top of a camera. It can mount to the top of the camera body, or the top of the SMPTE fiber converter if customers have one installed on the camera. It features a bright 7" 2,000 nit display with grip handles so it’s very easy to position it independently of the camera, even while their camera is on air. The mount allows the viewfinder to be tilted up and down and rotated sideways. Then customers can adjust the lock knobs to vary the amount of tension on the viewfinder adjustments. There's also a metal sunshade for use when in bright outdoor locations and the sunshade can be removed quickly when not needed.

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Blackmagic URSA Cine EVF makes outdoors and handheld shooting with your Blackmagic URSA Cine or Blackmagic PYXIS digital film camera easy! You get a high quality 1920 x 1080 color OLED display with 4 element glass diopter for incredible accuracy with a wide focus adjustment, assignable function buttons and more. URSA Cine EVF is easy to set up with a single USB-C cable connection for video, power and camera control and can be position in multiple different ways. It also includes an extension arm to position it on a dolly or geared head.

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Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras.

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Add a shock and vibration isolated professional microphone mount to your URSA Mini or URSA Mini Pro camera!

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URSA Mini Pro 4.6K G2 is a next generation digital film camera with updated electronics and a high performance 4.6K HDR image sensor for shooting at up to 300 frames per second. You get a Super 35mm 4.6K sensor with 15 stops of dynamic range, built in optical ND filters, interchangeable EF lens mount that can be swapped for optional PL, B4 or F mounts, Blackmagic RAW and ProRes recording to dual CFast or dual SD cards, and an innovative USB-C expansion port for recording directly to external disks. In addition, URSA Mini Pro 4.6K G2 features a massive set of external broadcast style controls, backlit status display, foldout touchscreen monitor and more!

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Turn your URSA Mini Pro into an incredibly compact broadcast camera that you can use with your existing high definition B4 broadcast lenses! URSA Mini Pro features a standard 12-pin Hirose lens control connection that’s compatible with both B4 and PL lenses. You can remotely control record start/stop, iris and motorized zoom lenses!ver start/stop, iris en zoomlenzen! *Graded A model

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The Blackmagic URSA Mini Pro EF Mount lets you use high quality Canon compatible photo lenses with your URSA Mini Pro camera.

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The URSA Mini Pro F Mount lets you use your favorite Nikon stills lenses with smooth high precision mechanical iris control. Now you can pair digital film quality with classic Nikon AF-S G and AF-D series lenses.

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The Blackmagic URSA Mini Pro PL Mount lets you use the world’s highest quality professional cinema lenses with your URSA Min Pro camera. The PL lens mount features contact pins for compatibility with Cooke’s i/Technology protocol so information such as lens make and model, serial number, iris setting, focus distance and zoom position can be saved as metadata and used in software like DaVinci Resolve. In addition, you can also power and control broadcast style cine-servo zoom lenses using the camera’s 12-pin Hirose connector.

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Set of 9 shims and baffle tool for making precise changes to the flange focal distance for URSA Mini Pro's EF, PL or B4 mount.

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Blackmagic URSA Mini Recorder lets you record Blackmagic RAW files onto 2.5 inch NVMe based 7mm U.2 SSD’s or standard 2.5 inch SSD Media with your URSA Mini Pro 12K! That means you can use commonly available and inexpensive high capacity solid state media! The NVMe based SSD media can record full resolution 12K, 8K and 4K 12‑bit RAW files plus it comes in much larger sizes so you can record longer without having to change disks!

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Be ready to shoot anywhere! Kit includes shoulder pad with built in rosettes, rail mounts, integrated tripod quick lock release and top handle.

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The URSA Studio Viewfinder G2 features on screen as well as separate physical controls for adjusting framing and focus features. The menu dial allows customers to scroll through menus and change settings as needed. However the most exciting controls are the 3 knobs on the right side of the viewfinder, which give customers smooth control of the LCD brightness and contrast, as well as directly adjustable focus peaking control. The focus peaking control allows customers to constantly adjust peaking to make focus easy at the zoom setting customers are using. Plus, there are 3 customizable function buttons customers can program to control features such as zebra, false color, focus peaking, luminance waveform, LUTs and more. The back of the Blackmagic URSA Studio Viewfinder G2 features a large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. As the director cuts between cameras on the ATEM switcher, tally information is sent back to the camera over SDI so the light is lit when the camera is on the air. Customers only need to set the correct camera number in the URSA Broadcast G2 menus. The tally light is very large so it’s easy to see when the presenter is a long distance from the camera. Plus, the Blackmagic URSA Studio Viewfinder G2 also includes clip-on number decals that insert into the tally light, so each camera is clearly numbered and easy for presenters to see. The big bright tally light on the top of the viewfinder is one of the features that can be controlled over the SDI video connection. The Blackmagic SDI Control Protocol takes advantage of blanking space in the SDI data stream to add talkback, tally and other camera control information direct to the camera via the program return feed. This also works with the viewfinder as it has the same control sent to it from the camera via its SDI input. The Blackmagic control protocol is an open standard and is documented in the URSA Broadcast and ATEM switcher manual. That means anyone can create custom solutions for Blackmagic cameras, switchers and Blackmagic URSA Studio Viewfinder.

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The Blackmagic URSA Viewfinder is the perfect accessory to make outdoors and handheld shooting with your URSA or URSA Mini digital film camera easy. You get an extremely high quality viewfinder with 1080HD resolution display, true precision glass optics, built in tally light and built in menus, overlays and even a digital focus chart!

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Camera URSA EVF - Viewfinder Eyecup

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VLock compatible battery plate for attaching third party batteries to URSA cameras.

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Blackmagic Video Assist 5” 3G is a portable monitor, a professional recorder, a portable scope and a fantastic camera viewfinder solution! You can also add better quality record codecs and a larger monitor to any SDI or HDMI camera! The new design has innovations such as 4 built in scopes, enhanced focus assist features, a tally indicator and built in 3D LUTs. The Video Assist 5” 3G support formats up to 1080p60 and the new design also has L-Series batteries for longer life. Blackmagic Video Assist 5” 3G really is 4 products in one!

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Blackmagic Video Assist 5” 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 5 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. The built in SD card recorder save files in broadcast quality 10‑bit 4:2:2 ProRes or DNx formats. The files are all standard, so you can start editing immediately without having to convert them!

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Blackmagic Video Assist 7” 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 7 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. Dual built in SD card recorders save files from any camera in 10‑bit 4:2:2 ProRes or DNx formats. You also get two mini XLR connections with 48V of phantom power and a noise floor of ‑128dBV for high quality, crystal clear audio recording. Plus, you can start editing immediately because you don’t have to convert the files!

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Blackmagic Video Assist 7” 3G is a portable monitor, a professional recorder, a portable scope and a fantastic camera viewfinder solution! You can also add better quality record codecs and a larger monitor to any SDI or HDMI camera! The new design has innovations such as 4 built in scopes, enhanced focus assist features, a tally indicator and built in 3D LUTs. The Video Assist 7” 3G support formats up to 1080p60 and the new design also has L-Series batteries for longer life. Blackmagic Video Assist 7” 3G really is 4 products in one!

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Blackmagic Design Video Assist Mini XLR kabelset (p/n BMD-CABLE-HYPERD/AXLRMINI2). Adapterkabel voor aansluiting op professionele audioapparatuur die full-size XLR aansluitingen gebruikt. Lengte: 50 cm

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De Blackmagic Videohub 10x10 12G is een geavanceerde video router die elke combinatie van SD, HD en Ultra HD ondersteunt op hetzelfde moment. Met 10 12G-SDI ingangen en 10 12G-SDI uitgangen, biedt deze router zero latency, wat het ideaal maakt voor live producties en uitzendingen. Het elegante frontpaneel beschikt over een LCD-scherm voor labels en live video, sneltoetsen en een machinaal vervaardigde metalen draaiknop met een zachte rubberen coating voor het bladeren door video bronnen. Dankzij de ingebouwde Ethernet-verbinding kan de router op afstand worden bediend met een reeks externe hardware- of softwarebedieningspanelen. De Blackmagic Videohub 10x10 12G elimineert kabelwirwar door alle SDI-apparatuur elektronisch te verbinden, waardoor monitors elke bron in de studio kunnen bekijken. Dit biedt totale flexibiliteit om constante veranderingen aan te kunnen. Bovendien is het mogelijk om meerdere HyperDeck recorders te gebruiken voor redundante recording of om video naar meerdere streaming processors te routeren voor alle uitzendplatforms. Deze router is ook perfect voor het toevoegen van extra ingangen aan een ATEM switcher.

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De Blackmagic Videohub 120x120 12G is de grootste en meest geavanceerde zero latency video router in de Videohub 12G familie. Met 120 12G-SDI ingangen en 120 12G-SDI uitgangen, biedt deze router maximale flexibiliteit en efficiëntie voor live productie en uitzendingen. Het frontpaneel beschikt over een LCD voor labels en live video, sneltoetsen en een machinaal metalen draaiknop met zachte rubberen coating voor het bladeren door videosources. Ethernet is inbegrepen, waardoor je de router op afstand kunt bedienen met een reeks externe hardware- of softwarebedieningspanelen. De Blackmagic Videohub 120x120 12G elimineert kabelrommel door alle SDI-apparatuur elektronisch te verbinden, wat zorgt voor een overzichtelijke en flexibele studio-opstelling. Deze router is ideaal voor het toevoegen van extra ingangen aan een ATEM switcher en het gebruik van meerdere HyperDeck recorders voor redundante opnames.

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De Blackmagic Videohub 20x20 12G is een geavanceerde video router die zero latency 12G-SDI ondersteunt, waardoor je elke combinatie van SD, HD en Ultra HD tegelijkertijd kunt routeren. Met 20 12G-SDI ingangen en 20 12G-SDI uitgangen, biedt deze router maximale flexibiliteit voor live productie en uitzendingen. Het elegante frontpaneel beschikt over een LCD voor labels en live video, sneltoetsen en een machined metalen draaiknop met een zachte rubberen coating, waarmee je eenvoudig door video bronnen kunt bladeren. Ethernet is inbegrepen, zodat je de router op afstand kunt bedienen met een reeks externe hardware- of softwarebedieningspanelen. De Blackmagic Videohub 20x20 12G elimineert complexe kabelwirwar door alle SDI-apparatuur elektronisch te verbinden, waardoor je geen ingewikkelde systeemdiagrammen nodig hebt. Dit biedt totale flexibiliteit om constante veranderingen of zelfs noodsituaties aan te kunnen.

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De Blackmagic Videohub 40x40 12G is een geavanceerde zero latency video router die elke combinatie van SD, HD en Ultra HD ondersteunt op dezelfde router tegelijkertijd. Met 40 12G-SDI ingangen en 40 12G-SDI uitgangen, biedt deze router maximale flexibiliteit en efficiëntie voor live productie en uitzendingen. Het elegante frontpaneel beschikt over een LCD voor labels en live video, sneltoetsen en een machinaal metalen draaiknop met zachte rubberen coating voor het bladeren door videosources. Ethernet is inbegrepen, waardoor je de router op afstand kunt bedienen met een reeks externe hardware- of softwarebedieningspanelen. De Blackmagic Videohub 40x40 12G elimineert kabelrommel door alle SDI-apparatuur elektronisch te verbinden, wat zorgt voor een overzichtelijke en flexibele studio-opstelling. Deze router is ideaal voor het toevoegen van extra ingangen aan een ATEM switcher en het gebruik van meerdere HyperDeck recorders voor redundante mastering.

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De Blackmagic Videohub 80x80 12G is een geavanceerde zero latency video router die elke combinatie van SD, HD en Ultra HD ondersteunt op dezelfde router tegelijkertijd. Met 80 12G-SDI ingangen en 80 12G-SDI uitgangen, biedt deze router maximale flexibiliteit en efficiëntie voor live productie en uitzendingen. Het elegante frontpaneel beschikt over een LCD voor labels en live video, sneltoetsen en een machinaal metalen draaiknop met zachte rubberen coating voor het bladeren door videosources. Ethernet is inbegrepen, waardoor je de router op afstand kunt bedienen met een reeks externe hardware- of softwarebedieningspanelen. De Blackmagic Videohub 80x80 12G elimineert kabelrommel door alle SDI-apparatuur elektronisch te verbinden, wat zorgt voor een overzichtelijke en flexibele studio-opstelling. Deze router is ideaal voor het toevoegen van extra ingangen aan een ATEM switcher en het gebruik van meerdere HyperDeck recorders voor redundante mastering.

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De Blackmagic Videohub Master Control Pro is een geavanceerd bedieningspaneel dat ontworpen is om volledige controle en flexibiliteit te bieden bij het beheren van videorouters. Met een intuïtieve spin knob en directe invoerknoppen, kunnen gebruikers snel en efficiënt video bronnen en bestemmingen selecteren. Het apparaat beschikt over een prachtig LCD-scherm dat alle routes weergeeft, en ondersteunt zowel DC- als Ethernet-voeding, waardoor het eenvoudig kan worden geïntegreerd in bestaande netwerken en op afstand kan worden bediend. Dit maakt de Master Control Pro ideaal voor live producties en uitzendingen waar snelheid en nauwkeurigheid van cruciaal belang zijn

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Blackmagic Videohub Mini 4x2 12G is a compact zero latency video router that supports any combination of SD, HD and Ultra HD on the router at the same time. It has 4 12G-SDI inputs and 2 12G-SDI outputs in a tiny 1/3 rack width size. The front panel control panel lets you quickly route a video connection and even includes an emergency 12G-SDI connection for patching in external gear and USB-C webcam video out. It also features SDI re-clocking, external Ethernet control and supports all SDI video standards up to 2160p60.

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Blackmagic Videohub Mini 6x2 12G is a compact zero latency video router that supports any combination of SD, HD and Ultra HD on the router at the same time. It has 6 12G-SDI inputs and 2 12G-SDI outputs plus reference connections for locking clean switch outputs in a compact 1/2 rack width size. The front panel control panel lets you quickly route a video connection and even includes an emergency 12G-SDI connection for patching in external gear and USB-C webcam video out. It also features SDI re-clocking, external Ethernet control and supports all SDI video standards up to 2160p60.

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Blackmagic Videohub Mini 8x4 12G is a compact zero latency video router that supports any combination of SD, HD and Ultra HD on the router at the same time. It has 8 12G-SDI inputs and 4 12G-SDI outputs plus reference connections for locking clean switch outputs in a compact 2/3 rack width size. The front panel control panel lets you quickly route a video connection and even includes an emergency 12G-SDI connection for patching in external gear and USB-C webcam video out. It also features SDI re-clocking, external Ethernet control and supports all SDI video standards up to 2160p60.

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De Blackmagic Videohub Smart Control Pro is een geavanceerd bedieningspaneel voor videorouters, ontworpen om maximale controle en flexibiliteit te bieden. Met 48 programmeerbare knoppen kan elke knop worden ingesteld om een specifieke routerbestemming te selecteren, waardoor het mogelijk is om snel en efficiënt video te schakelen. Het apparaat ondersteunt Ethernet, waardoor het eenvoudig kan worden geïntegreerd in bestaande netwerken en op afstand kan worden bediend.

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