Camera's

De Fujinon MK50-135mm T2.9 lens in E-Mount is een lichtgewicht, ciné-stijl zoomlens voor camera's met E-bevestiging en een Super 35mm-sensor. Het heeft een mechanisch ontwerp met drie onafhankelijke lensbedieningsringen: focus, iris en zoom. Elke ring heeft een cinematografisch toestel met een 0.8 MOD voor aansluiting op standaard cine-style lensaccessoires. De scherpstelring heeft een rotatie van ongeveer 200°, waardoor ruimte of precieze focus wordt verkregen, en de iris is klikloos, zodat vloeiende iris kan worden getrokken. De lens heeft ook een macromodus voor nauwkeurige scherpstellingsmogelijkheden.De lens is qua kleur afgestemd op andere Fujinon lenzen, zoals de series HK, ZK en XK, waardoor een soepele tussenlaag tussen lenzen mogelijk is. De voorzijde van 85 mm maakt het gebruik van veel cine-style matteboxen mogelijk door optionele opstaande ringen (ringen niet inbegrepen) te gebruiken. De lens weegt slechts 2,16 kilo, wat vrij licht is voor een zoomobjectief met focus en diafragma over het hele bereik van de brandpuntsafstand. Het is ontworpen voor camera's met een Sony E-vatting, dus het heeft een korte flange-brandpuntsafstand, maar de lens kan de focusafstand van de flens aanpassen, zodat je het kunt afstemmen op de camera waar je de lens op gebruikt.

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With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording. The body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly. For smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood's shuttered design can be closed when the camera is not in use.   Smooth Motion Optics Sony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design. Versatile Zoom Control In addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length. Professional Focusing Features The focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories.  Compact Design The lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well.  Optical SteadyShot Built-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement. Weather Resistance A dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions. Teleconverter Support This lens is fully compatible with Sony's separately available SEL14TC 1.4x and SEL20TC 2x teleconverters, providing extended reach while maintaining sharp images and reliable autofocus.

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De elektronische Sony SEL 18-105mm F/4.0 G OSS powerlens met E-bevestiging, SteadyShot beeldstabilisatie en een maximale diafragma van f/4 voor alle brandpuntsafstanden.

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Ultra-Wide for Dynamic Spatial Expression This compact 12–24 mm ultra-wide-angle zoom lens features the shortest focal lengths available in any full-frame E-mount lens, with stunning corner-to-corner G Lens resolution at all apertures. It is an excellent choice for dynamic landscape and architecture photography. Outstanding mobility and quiet, fast, precise autofocus make it ideal for shooting movies as well as stills. High resolution at ultra-wide angles Refined ultra-wide-angle optics capture expansive scenes with outstanding resolution and clarity. Compact, lightweight and mobile A new design significantly reduces overall length and front element size while maintaining the highest possible optical performance. And it weighs a mere 565 grams. Fast, quiet AF for stills and movies This lens features an advanced inner-focus mechanism driven by Sony's Direct Drive SSM (DDSSM) system for fast, accurate AF lock-on as well as smooth, quiet operation. Fingertip control and high reliability A customizable focus hold button provides extra control versatility, while dust and moisture resistant design means reliable operation even in challenging conditions.

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At the 12-mm end of its range, this 12–24-mm constant F2.8 zoom lens offers an ultra-wide angle of view. An innovative optical design works with Sony's advanced XD Linear Motors to deliver outstanding G Master image quality in a lightweight lens that also features fast, precise autofocus, smooth control, and solid reliability. Bright F2.8 maximum aperture from 12 mm to 24 mm The ultra-wide 12-mm angle of view available with this versatile lens makes it possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye. Expand your artistic palette with deep, engaging visual imagery. Innovative optics with the largest XA element in any α lens Three XA (extreme aspherical) elements, including the largest ever made, combine with one aspherical element in an innovative optical design that achieves stunning G Master resolution throughout the image area. Two Super ED (Extra-low Dispersion) and three ED glass elements suppress chromatic aberration, and a new Nano AR Coating II minimizes flare and ghosting for clear, crisp imagery. Constant F2.8 brightness 12–24-mm zoom with a constant F2.8 maximum aperture is ideal for shooting night scenes, starry skies, and other low-light subjects at low sensitivities without having to use extremely slow shutter speeds. Ultra-wide angles and large aperture in a small, lightweight zoom An advanced optical design with four aspherical elements, including three XA types, plus a mechanical design that features Sony's original XD linear motors, in a compact, lightweight 12–24-mm constant F2.8 zoom that delivers stunning image quality. In addition to being ideal for landscapes, night scenes, and architecture, this lens provides extra mobility for active sports photographers shooting wide angles. XD Linear Motors for fast, accurate AF and reliable tracking Four XD Linear Motors, two for each of the lens's focus groups, contribute to fast, precise autofocus and tracking that make full use of the speed potential provided by high-performance α camera bodies. New control algorithms maximize the response of the XD Linear Motor system while achieving flawless synchronization between the focus groups. Operation is also quiet with minimal vibration. Control and reliability for professional applications A focus hold button, focus mode switch, zoom ring, focus ring, and other controls are designed and positioned for easy operation and a smooth workflow. Alternative functions that support the user's individual shooting needs can be assigned to the focus hold button via camera body menu settings. A fluorine front element coating plus a dust- and moisture-resistant design ensure high reliability in challenging environments.

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An F1.8 135mm prime with superb resolution, bokeh, and AF Unsparing application of Sony’s most advanced optical technologies has produced a large-aperture prime telephoto lens that delivers outstanding corner-to-corner resolution even at F1.8, plus exquisite bokeh that is a hallmark of the G Master series. XA and Super ED elements deliver high resolution XA (extreme aspherical), Super ED (extra-low dispersion) glass, and ED glass elements precisely deployed in an advanced optical design effectively correct aberration, while a floating focus system works with these aberration correction measures to ensure that the highest possible resolution is maintained right out to the image edges throughout the lens's focus range. Narrow depth of field with breathtaking G Master bokeh The extremely high surface precision of XA elements, careful control of spherical aberration at both the design and the manufacturing stages, and an 11-blade circular aperture all come together to produce spectacularly smooth, elegant G Master bokeh that maximises the creative potential of the narrow depth of field available with this 135mm F1.8 lens. Dual front and rear XD linear motors achieve fast, precise, quiet AF Sony’s innovative XD (extreme dynamic) linear motors also play an important role, making it possible to maintain focus on moving portrait subjects, performers on stage, or similarly dynamic subjects with impressive speed, precision, and reliability, while also providing AF control that is quiet and virtually free of vibration. Floating focus mechanism for improved close-up capability Although it is a 135-millimeter telephoto lens, a floating focus system that effectively controls aberration at all focusing distances has made it possible to achieve a minimum focus distance of just 0.7 meters (2.3 ft) and a maximum magnification of 0.25x for close-up photography. Small accessories and other subjects can be captured with remarkable resolution and soft, beautiful background bokeh. Superior imaging plus mobility, operability, and reliability The important features include customisable focus hold buttons, a focus range limiter, an aperture ring with switchable click stops, a dust/moisture resistant design1, and a fluorine coated front element. Overall, this is a lens that meets professional requirements for control and reliability for both stills and movies.

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New views from a 14mm F1.8 masterpiece This large-aperture ultra-wide-angle prime lens offers G Master quality in an innovative design that is incredibly compact. Advanced technology achieves breathtaking resolution plus exquisite bokeh even at maximum F1.8 aperture. Add fast, precise AF and extraordinary mobility, and you have a lens that can capture fresh views of everyday scenes. Spectacular image-wide resolution all the way to F1.8 Two XA (extreme aspherical) elements in a design that meets stringent G Master standards achieve outstanding corner-to-corner resolution all the way up to the lens’s maximum F1.8 aperture. One Super ED (Extra-low Dispersion) and two ED glass elements thoroughly suppress color bleeding for outstanding image-wide sharpness and clarity, while Sony’s Nano AR Coating II effectively minimizes flare and ghosting. Large-aperture ultra-wide perspectives in an incredibly compact lens Precision aspherical elements including two ultra-precise XA elements in an innovative G Master optical design work with two of Sony’s state-of-the-art XD Linear Motors to realize extraordinary overall performance in a remarkably compact lens that weighs just 460 grams. This is one ultra-wide large-aperture lens you carry around anywhere, reshaping the world with creative new perspectives. Resolution and compact convenience for impressive night skies Adding to the versatility provided by its large aperture and ultra-wide angle of view, advanced optics with a high-curvature XA front element minimize sagittal flare when shooting starry skies and other night scenes. The large F1.8 maximum aperture allows low-light shooting without having to use extremely slow shutter speeds, while compact dimensions let you shoot anywhere with ease. Exquisitely smooth bokeh in ultra-wide views With precise XA elements, a 9-blade circular aperture mechanism, and optimally managed aberration, this unique ultra-wide lens is capable of creating exquisite background bokeh without undesirable onion-ring artifacts. Minimum focus distance is just 0.25m, so you can move right in to combine dynamic close-up perspectives with beautiful bokeh in expansive backgrounds. Fast, precise, quiet AF supports stills and movies Two XD (extreme dynamic) Linear Motors provide the thrust efficiency required to accurately position the lens’s focus groups, achieving fast, precise, quiet AF performance that maximizes the speed potential of E-mount bodies. Quiet, low-vibration AF is an unprecedented advantage for shooting movies with ultra-wide angles, while mobility and fast response give creators the freedom to work effectively with any subject. Outstanding reliability for any application In addition to a fluorine coating on the front element that repels water, oil, and other contaminants, the rear element is also fluorine coated to keep that surface clean when changing the rear filter. A dust and moisture resistant design1 maximizes reliability when using this large-aperture ultra-wide-angle lens in challenging outdoor conditions.

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Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 1.4x Teleconverter increases the lens's magnification by 1.4x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions. Compatible Lenses FE 70-200mm f/2.8 GM OSSFE 70-200mm f/2.8 GM OSS IIFE 100-400mm f/4.5-5.6 GM OSSFE 200-600mm f/5.6-6.3 G OSSFE 400mm f/2.8 GM OSSFE 600mm f/4 GM OSS

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Explore the world in wide-angle detail G Master performance in a wide-angle F2.8 16-35mm zoom offers a wealth of opportunities to capture subjects in creative new ways. No matter what zoom setting or focus distance you shoot at, this lens delivers consistently superb resolution from corner-to-corner, with stunning background bokeh when required. A compact, lightweight design makes it manageable for active shooting. High corner-to-corner resolution Uncompromised optical design achieves extremely high corner-to-corner resolution and contrast for landscape, architecture, and other expansive subjects. Gorgeous background bokeh Shoot close at F2.8 to capture sharp subjects with dynamic, painterly backgrounds consisting of delightfully smooth bokeh. A perfect balance of resolution and bokeh An advanced optical design that includes two Sony XA (extreme aspherical) elements achieves outstanding resolution, low distortion, and smooth, beautiful bokeh. Light and compact for high mobility Class-leading size and weight reductions make this 680-gram lens an ideal match for compact E-mount bodies, providing an eminently portable, easily manageable system.

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Wide-angle zoom, ZEISS quality and pop This full frame E-mount 16-35mm ZEISS Vario-Tessar zoom offers outstanding performance in a compact, lightweight package. A versatile zoom range coupled with built-in optical image stabilization makes it a great choice for snapshots, indoor scenes, group shots, landscapes, and more, especially with a full-frame α7 series body. A constant F4 maximum aperture facilitates exposure and depth-of-field control.   Wide-angle impact over a useful zoom range This compact wide-angle zoom lens covers a useful focal length range with outstanding image quality, particularly when matched with an α7 series full frame image sensor.   Refined optics deliver stunning images AA (advanced aspherical), aspherical, and ED optical elements add up to superior corner-to-corner performance with low distortion and colour aberration. T* coating minimizes flare and ghosting.   Constant exposure at any zoom setting Maximum aperture is F4 at all focal lengths so the user can zoom and shoot at any aperture without having to keep track of changes in exposure settings or depth of field.   Sharp and clear in any situation Optical SteadyShot image stabilization compensates for camera shake that can blur images when shooting handheld, for sharp, clear night scenes and low-light indoor shots.

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Fast F2.8 APS-C standard zoom Sony’s first 16-55 mm (24-82.5 mm full-frame equiv.) APS-C zoom with a constant F2.8 aperture is remarkably compact while offering performance befitting the G Lens series. A new optical design delivers excellent corner-to-corner resolution, and beautiful bokeh is available when needed. It is compact, lightweight, and ideal for a wide range of subjects.   High resolution throughout the zoom range, even at F2.8 Two AA (advanced aspherical) and two aspherical elements suppress aberration for outstanding corner-to-corner G Lens resolution, while three ED (Extra-low Dispersion) glass elements reduce colour bleeding to a minimum. Sony’s original Nano AR Coating adds superior resistance to flare and ghosting for crisp contrast. Precise spherical aberration control and a 9-blade circular aperture contribute to smooth bokeh.   Compact, lightweight, and bright Optimised mechanical and optical design achieve a weight of just 494 grams (17.5 oz.) in a compact, constant F2.8 16-55 mm (24-82.5 mm full-frame equiv.) zoom lens. This fine lens is ideal for everything from portraits to everyday snapshots, combining with compact E-mount bodies to form a highly mobile, manageable system for a wide range of photographic applications.   XD Linear Motor for fast, precise AF and tracking The same type of advanced XD (eXtreme Dynamic) linear motor that maximises focus performance in G Master series lenses is employed in this APS-C lens. The XD Linear Motor fully utilises the speed potential of the camera body, focusing on and tracking even fast-moving subjects with outstanding speed and precision. Operation is also quiet, allowing videographers to take advantage of the constant F2.8 aperture.   Professional control and reliability A customisable focus hold button, AF/MF mode switch, and Linear Response MF add control versatility and precision that can help get the shot even in difficult, changing conditions. The front lens element is fluorine coated to repel water and grime, and the lens is dust and moisture resistantso that that it can be used with confidence in challenging outdoor environments.

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Extending the effective focal length of select Sony E-mount telephoto lenses, the FE 2x Teleconverter increases the lens's magnification by 2x for a narrower field of view. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions.

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This Jupiter 28-85mm T3.2 Full Frame Macro Cine Zoom Lens from Sirui captures sharp macro shots with full frame camera sensors using their Canon EF-mount and has a focal length range of 28 to 85mm. It features an aperture range of T3.2 to T22 for a deep or shallow depth of field, depending on your cinematic vision. A lens construction of 22 elements in 18 groups creates a smooth, circular bokeh with minimal focus breathing. The focus ring can rotate up to 259°, and both the focus and iris rings have 0.8 MOD cinema-standard gears for intuitive manual controls. Focus distance and iris marks are displayed in both meters and feet. The zoom lens has a minimum focus distance of 2.3'. It has a 1/4"-20 thread for compatibility with lens supports. The parfocal design ensures the focus remains the same throughout the zoom range. Features at a Glance Maximum T3.2 aperture for low-light advantage, deeper depth of field, and increased area of focus Cinema industry-standard 0.8 MOD focus and iris gears compatible with follow focus and iris controls Lens construction of 22 elements in 18 groups for smooth, circular bokeh Manually focus on objects from a minimum of 2.3' away Capable of recording 8K resolution video 1/4"-20 thread for lens support compatibility Set of 10 shims included for adjusting flange distance Included carrying case with an IP67 rating to protect the lens

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This Jupiter 28-85mm T3.2 Full Frame Macro Cine Zoom Lens from Sirui captures sharp macro shots with full frame camera sensors using their ARRI PL-mount and has a focal length range of 28 to 85mm. It features an aperture range of T3.2 to T22 for a deep or shallow depth of field, depending on your cinematic vision. A lens construction of 22 elements in 18 groups creates a smooth, circular bokeh with minimal focus breathing. The focus ring can rotate up to 259°, and both the focus and iris rings have 0.8 MOD cinema-standard gears for intuitive manual controls. Focus distance and iris marks are displayed in both meters and feet. The zoom lens has a minimum focus distance of 2.3'. It has a 1/4"-20 thread for compatibility with lens supports. The parfocal design ensures the focus remains the same throughout the zoom range. Features at a Glance Maximum T3.2 aperture for low-light advantage, deeper depth of field, and increased area of focus Cinema industry-standard 0.8 MOD focus and iris gears compatible with follow focus and iris controls Lens construction of 22 elements in 18 groups for smooth, circular bokeh Manually focus on objects from a minimum of 2.3' away Capable of recording 8K resolution video 1/4"-20 thread for lens support compatibility Set of 10 shims included for adjusting flange distance Included carrying case with an IP67 rating to protect the lens

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Stunning Full HD resolution 1/2.7 inch CMOS sensor. 1080p Full HD resolution 20x optical zoom, 16x digital zoom The BC-50's 20x optical zoom and 16x digital zoom allows you to mount it near or far and still get great, sharp shots. H.264/H.265/Motion-JPEG compression and IP streaming The BC-50 can deliver the compressed video signal H.264/H.265/MJPEG, and also RTMP streaming to facebook and youtube through RJ-45 connection. Controllable by VISCA/Pelco-C/Pelco-D The BC-50 supports VISCA/Pelco-D/Pelco-P enabling the camera to be controlled via RS-485. Metal housing Rugged metal housing for use in the roughest conditions Tally light Tally LED Design to make your live video production much easier  

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Designed to be Compact Small box design makes it flexible to be mounted anywhere. Though it is compact, it doesn't compromise on quality. 1/2.3” 4K CMOS sensor captures high quality images and incredible details of the subject. Built-in Fixed Lens Built-in swappable fixed lens. No need to purchase lenses additionally, which can be costly.  1/2.3” CMOS Sensor with 4K 50/60p output BC-15P is one of the best cameras for capturing eSport applications with the included eSport lens. While changing back to the standard lens, it will fulfill the other wide range applications. Support SRT streaming protocol, no need to worry about unreliable network environment Many broadcasters have experienced pixelated video during live streaming, often due to unstable network environments caused by bandwidth volatility. Streaming RTMP over unreliable, low-bandwidth networks can cause issues. With dvCloud, you can now replace the RTMP protocol with SRT, which will fix most streaming issues you may have. SRT is better than RTMP because it handles problematic networks more efficiently. It requires less bandwidth, and it solves data errors faster. As a result, your viewers will experience a better stream, with less buffering and pixelization. H.264/H.265 video compression for dual streaming During video production, you can stream simultaneously to two live streaming platforms such as Facebook, Youtube and Twitch. With Datavideo dvCloud, you can stream to 25 live streaming platforms at the same time and automatically back up your video files on the cloud server. Built-in Tally Light Built-in tally lights make it easier for the talent to know which camera is live during a multi-camera live production.  Power over Ethernet The BC-15P supports PoE for easy installation. No need to find local power outlets or hire an electrician to install outlets wherever you want to mount your camera. Simply run a single CAT 6 cable to power your BC-15P. Standard and Wide-angle Lenses Standard lens gives a nice clear quality of a close up POV shot, while the wide-angle lens captures a wide shot of your subject in great detail. Physical Buttons Make Camera Setup Very Easy When the camera is set up, there is no need to use an additional remote controller. The physical buttons on the rear panel of the BC-15P make it very easy to adjust settings. 1/4” Screw Hole for Mounting Changing the camera angle is easy with the three 1/4” screw holes on the BC-15P. It gives you the flexibility of mounting it anywhere.

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Introducing the next generation customizable cinema camera! Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time! Designed for Maximum Customizability! With multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1/4″ and 3/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable! Get the “Hollywood Look” with Digital Film! Blackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video! Large Format Cinematic Digital Film Sensor! Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras. Full Frame Flexibility The large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality! Shoot Incredible HighDynamic Range (HDR) Images The distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading! Dual Gain ISO for Exceptional Low Light Performance In digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.

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4K POV NDI Camera The small box design of the BC-15PN makes it incredibly flexible for mounting anywhere. Despite its compact size, this device does not compromise on quality. Equipped with a 1/2.3” 4K CMOS sensor, it captures high-quality images, showcasing incredible details of the subject. Additionally, it supports NDI connection, enhancing its versatility for seamless video streaming and integration into various network-based workflows. Built-in Fixed Lens Built-in swappable fixed lens. No need to purchase additional lenses, which can be costly. 1/2.3” CMOS Sensor with 4K 50/60p Output Equipped with a 1/2.3” CMOS sensor, the BC-15PN delivers stunning 4K 50/60p output, ideal for eSports and versatile in various settings. The specialized eSports lens captures dynamic scenes with clarity, while the standard lens adapts to a wide range of applications. Elevate Your Content with Seamless 4K Streaming During video production, you can stream your program to different platforms such as YouTube and Facebook. If using Datavideo dvCloud, you can even stream your program to 25 different platforms at the same time while backing up your program on the cloud server.  Low-Latency SRT Streaming Engine Allowing Online Switching to dvCloud with Nearly Zero Latency Many viewers may have encountered streaming issues, such as video stuttering or frame loss, often attributable to fluctuating bandwidth and network instability. dvCloud incorporates the SRT protocol, effectively reducing frame loss even when your network is unstable. If you are still encountering problems with RTMP streaming, dvCloud stands out as the optimal solution for a smoother and more enjoyable viewing experience. Built-in Tally light Built-in tally light make it easier for the talent to know which camera is live during a multi-camera live production.  Physical Buttons Make Camera Setup Very Easy When the camera is set up, there is no need to use an additional remote controller. The physical buttons on the rear panel of the BC-15 make it very easy to adjust settings. Power over Ethernet The BC-15 supports PoE for easy installation. No need to find local power outlets or hire an electrician to install outlets wherever you want to mount your camera. Simply run a single CAT 6 cable to power your BC-15.

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4K POV NDI Camera The small box design of the BC-15PN makes it incredibly flexible for mounting anywhere. Despite its compact size, this device does not compromise on quality. Equipped with a 1/2.3” 4K CMOS sensor, it captures high-quality images, showcasing incredible details of the subject. Additionally, it supports NDI connection, enhancing its versatility for seamless video streaming and integration into various network-based workflows. Built-in Fixed Lens Built-in swappable fixed lens. No need to purchase additional lenses, which can be costly. 1/2.3” CMOS Sensor with 4K 50/60p Output Equipped with a 1/2.3” CMOS sensor, the BC-15PN delivers stunning 4K 50/60p output, ideal for eSports and versatile in various settings. The specialized eSports lens captures dynamic scenes with clarity, while the standard lens adapts to a wide range of applications. Elevate Your Content with Seamless 4K Streaming During video production, you can stream your program to different platforms such as YouTube and Facebook. If using Datavideo dvCloud, you can even stream your program to 25 different platforms at the same time while backing up your program on the cloud server.  Low-Latency SRT Streaming Engine Allowing Online Switching to dvCloud with Nearly Zero Latency Many viewers may have encountered streaming issues, such as video stuttering or frame loss, often attributable to fluctuating bandwidth and network instability. dvCloud incorporates the SRT protocol, effectively reducing frame loss even when your network is unstable. If you are still encountering problems with RTMP streaming, dvCloud stands out as the optimal solution for a smoother and more enjoyable viewing experience. Built-in Tally light Built-in tally light make it easier for the talent to know which camera is live during a multi-camera live production.  Physical Buttons Make Camera Setup Very Easy When the camera is set up, there is no need to use an additional remote controller. The physical buttons on the rear panel of the BC-15 make it very easy to adjust settings. Power over Ethernet The BC-15 supports PoE for easy installation. No need to find local power outlets or hire an electrician to install outlets wherever you want to mount your camera. Simply run a single CAT 6 cable to power your BC-15.

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RMC-180 MARK II PTZ Camera Control Unit The RMC-180 MARK II is a camera controller, which allows you to control up to 4 compatible Datavideo PTZ, block cameras, or Robotic Pan Tilt Heads via RS-422. Simple Multi-Camera Control at Your Fingertips With its ergonomic joystick and tactile button layout, the RMC-180 MARK II makes it easy to set up and control up to four Datavideo PTZ cameras and Robotic Pan Tilt Head for any live video production. Just Plug and Play Thanks to RS- 422 standard interface, four RJ-45 ports provide plug and play between RMC-180 MARK II and PTZ cameras. The interface standard is RS- 422 and uses any RJ-45 cable to connect the RMC-180 MARK II to the RS-422 port of the Block/PTZ camera. Automatic Camera Position Presets The RMC-180 MARK II provides shortcut keys for up to 4 position presets for each of your cameras (up to 8 presets if only 2 cameras are connected). Easily program close-ups, wide-shots, and recall them with the press of a button. Recall the preset intuitively by pushing the mechanical buttons assigned to each preset. Manual Focus and Manual IRIS control RMC-180 MARK II controls of Pan, Tilt, and Zoom and Iris, Focus, Gain, and other functions such as the OSD on specific models. Control via CAT5/CAT6 cable with RJ45 connectors. Speed Mode Makes Your Camera Movement Match to the Pace of the Program The controller can move the cameras (pan, tilt and zoom) at slow, medium, and fast speeds. It provides you with a quick option for your selecting the speed of your camera movement. Support Datavideo's Switcher Tally Indicators Compatible with Datavideo's switcher tally indicators. There are generally two tally LED modes, which are Tally User and Tally Input. Easy to implement in different workflow. Controls PTR-10 with Presets RMC-180 MARK II can control up to four PTR-10 MARK II. It can also save up to fours presets per camera and adjust focus and iris of each camera that is mounted on the PTR-10 MARK II.

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Allows user to control SE-1200MU by keys for quick and easy operation Switcher style controller Supports user memory Save user behavior to user memory keys for easy conversion of custom settings. Easy connection RS-232 interface for communication between RMC-260 and SE-1200MU.

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Easily switch between 8 cutouts or select images from camera input Provides easy and intuitive control of the KMU-100 With Joystick and buttons, you can easily switch between 8 cutouts or select images from camera input to complete video production. Motion control by Joystick Allows user to easily pan, tilt, and zoom to create the user-defined windows on the 4K signal.

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De Atlona AT-HDVS-CAM is een professionele PTZ camera die is ontworpen voor gebruik met de AT-UHD-HDVS-300-KIT in softcodec-conferentietoepassingen. Het beschikt over een USB interface voor video- en camerabediening. De HDVS-CAM kan naadloos worden geïntegreerd met de HDVS-300-KIT voor een compleet, geautomatiseerd conferentiesysteem met AV- en USB-uitbreiding, plus automatische inputselectie en weergave van voeding wanneer een pc is aangesloten. De HDVS-CAM levert hoogwaardige, professionele beeldkwaliteit met videoresoluties tot 1080p @ 30 Hz, evenals een snelle en nauwkeurige automatische scherpstelling en een snel en stil pan- en tiltmechanisme. Deze PTZ camera is ideaal voor een breed scala aan kleine tot middelgrote vergaderruimten, klaslokalen en trainingsruimten.De HDVS-CAM kan op zichzelf worden gekocht voor een bestaande HDVS-300-KIT installatie of in een HDVS-300 pakket als de AT-UHD-HDVS-300-C-KIT. De HDVS-CAM heeft een IR-afstandsbediening en bevestigingsmateriaal voor gemakkelijke installatie op de muur.

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The Skaarhoj PTZ Wiz is a super compact PoE powered VISCA-over-IP controller that integrates control of video switchers like ATEM, vMix or any other SKAARHOJ supported live switcher system. It has a perfect grip and high quality knobs for your comfort. Outstanding differences from previous or similar versions Super compact, universal PTZ controller. Fits in your hand. Key Features Multi-function keys for presets, camera selection and live switching Pressure sensitive zoom rocker High quality backlit knobs for setting camera focus, exposure and more Joystick Pad, pressure direction sensitive Slim, ergonomic console form factor Ethernet with PoE (IEEE802.3af) UniSketch OS

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The Skaarhoj XC7 allows to you add joystick control easily to other Skaarhoj controllers. The XC7 features a 3-axis joystick for pan/tilt/zoom with a button on top for reseting to home position or reseting. Key Features Three-axis joystick Pan/Tilt/Zoom Button to reset home position or reset Works with Skaarhoj controllers

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De Atlona AT-HDVS-CAM-HDMI is een PTZ camera voor gebruik tijdens video conferencing of andere toepassingen, zoals lecture capturing of onderwijs op afstand. Het product beschikt over een HDMI output, als ook een USB 2.0 interface voor video en camera beheer. Via USB kan deze camera vlekkeloos integreren met de Atlona Omega series voor een compleet, geautomatiseerd conferecing systeem. Verkrijgbaar in zwart en wit.

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De Atlona AT-HDVS-CAM-HDMI-WH is een PTZ camera voor gebruik tijdens video conferencing of andere toepassingen, zoals lecture capturing of onderwijs op afstand. Het product beschikt over een HDMI output, als ook een USB 2.0 interface voor video en camera beheer. Via USB kan deze camera vlekkeloos integreren met de Atlona Omega series voor een compleet, geautomatiseerd conferecing systeem. Verkrijgbaar in zwart en wit.

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A Multi-functional Multi-camera Controller Datavideo RMC-300A is a multi-functional multi-camera controller. It can control up to 24 Datavideo PTZ and block cameras by DVIP or up to 8 Datavideo cameras by serial RS- 422 transmission. The RMC-300A with the combination of user friendly interface on 5” touch panel and hardware buttons, RMC-300A enables users to manage heavy EFP workflow without haste. User friendly interface on 5-inch LCD touch panel 5-inch LCD touch panel design allows users to easily control settings of each cameras. Control up to 24 Cameras Designed to control up to 24 cameras, with 7 preset memories for each camera for easy camera operation. LCD displays GUI for Operability and Visibility Easily access to all the cameras setting, and call back your favorite settings such as Shutter, Focus, IRIS, Gain, Zoom, and movement speeds. Professional Use Single person control of Pan, Tilt, and Zoom is possible with the 2-axis Joystick and the zoom knob. Easily access all the cameras settings in the OSD, and call back your favorite settings such as Shutter, Focus, IRIS, Gain, Zoom, and movement speeds. Remote Control via Ethernet or serial port RS-422 The RMC-300A can control PTZ and block cameras, as well as robotic camera heads such as the Datavideo PTR-10 series by using the DVIP or RS-422 interfaces. Can control up to 8 cameras via RS-422 or 24 cameras via DVIP. Zoom knob and lock button Easy to use knob for the camera to zoom in/out, and the Lock button to help you secure the position of the joystick and the zoom knob.

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PTC-280 Brand New 4K PTZ Camera Datavideo is introducing the 4K50/60p PTZ camera lineup which includes the PTC-280 Professional PTZ Camera that can be easily controlled via traditional RS-422 serial port or IP remote control via DVIP (Datavideo proprietary protocol) or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market applications, so you can easily stream to Facebook (RTMPS), YouTube simultaneously. It also works well with dvCloud. PTZ View Assist: Control up to four cameras The camera control app is tailored for the Datavideo PTZ camera series. It can monitor the live streaming video from PTC-140, and PTC-280 series. The app can control up to 4 cameras simultaneously via DVIP, you can intuitively set up and recall the presets, and adjust white balance, focus and IRIS. The app is able to decode the live streaming via RTSP, SRT, and NDI. Easily monitor the live streaming video and set up the parameters promptly in one application. Datavideo provides iOS and Android versions, which you can download on Google Play and App Store for free! Low Noise in Low Light Advanced 2D/3D noise reduction technology is also used to further reduce the noise while ensuring image sharpness. Multiple Simultaneous Video Outputs Supports simultaneous HDMI 2.0 and IP output up to 2160p 50/60 and also 3G-SDI output up to 1080p60/50. Multiple Network Protocol with Dual Stream Function Support RTSP and RTMPS protocols, easy to stream directly to two different CDN platforms and Datavideo dvCloud as well. Compatible with Various Controller Control real-time pan, tilt, and zoom camera movements with Datavideo PTZ View Assist APP, RMC-300A and RMC-180. With configurable preset positions supported. RS-422, DVIP and Ethernet Camera Control RS-422 and ethernet to use DVIP or VISCA over IP commands to integrate with larger control systems. Power over Ethernet The PTC-280 supports PoE for easy installation. No need to find local power outlets or hire an electrician to install outlets wherever you want to mount your camera. Simply run a single CAT 6 cable to power your PTC-280. Wide 71° Field of View PTC-280 provides a wide Field of View of 71°, easily shooting all the scenes in the field.

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Flexible, durable setup The WM-1 can be positioned upside-down or rightside-up to suit the certain application. The three-piece design is easy and steady to install onto any wall using the included mounting kit. White Color is also available Can be matched to Datavideo White PTC cameras. 

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PTC-280 Brand New 4K PTZ Camera Datavideo is introducing the 4K50/60p PTZ camera lineup which includes the PTC-280 Professional PTZ Camera that can be easily controlled via traditional RS-422 serial port or IP remote control via DVIP (Datavideo proprietary protocol) or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market applications, so you can easily stream to Facebook (RTMPS), YouTube simultaneously. It also works well with dvCloud. PTZ View Assist: Control up to four cameras The camera control app is tailored for the Datavideo PTZ camera series. It can monitor the live streaming video from PTC-140, and PTC-280 series. The app can control up to 4 cameras simultaneously via DVIP, you can intuitively set up and recall the presets, and adjust white balance, focus and IRIS. The app is able to decode the live streaming via RTSP, SRT, and NDI. Easily monitor the live streaming video and set up the parameters promptly in one application. Datavideo provides iOS and Android versions, which you can download on Google Play and App Store for free! Low Noise in Low Light Advanced 2D/3D noise reduction technology is also used to further reduce the noise while ensuring image sharpness. Multiple Simultaneous Video Outputs Supports simultaneous HDMI 2.0 and IP output up to 2160p 50/60 and also 3G-SDI output up to 1080p60/50. Multiple Network Protocol with Dual Stream Function Support RTSP and RTMPS protocols, easy to stream directly to two different CDN platforms and Datavideo dvCloud as well. Compatible with Various Controller Control real-time pan, tilt, and zoom camera movements with Datavideo PTZ View Assist APP, RMC-300A and RMC-180. With configurable preset positions supported. RS-422, DVIP and Ethernet Camera Control RS-422 and ethernet to use DVIP or VISCA over IP commands to integrate with larger control systems. Power over Ethernet The PTC-280 supports PoE for easy installation. No need to find local power outlets or hire an electrician to install outlets wherever you want to mount your camera. Simply run a single CAT 6 cable to power your PTC-280. Wide 71° Field of View PTC-280 provides a wide Field of View of 71°, easily shooting all the scenes in the field.

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Control of up to 112 BRC cameras via an IP network The RM-IP10 remote control panel gives you control of up to 112 BRC cameras over an IP network, or 7 cameras over a traditional VISCA-controlled network. Up to five remote control panels can share control of the system.Easy-to-install control for BRC-H900, BRC-Z330 and BRC-Z700 camerasThe RM-IP10 is compatible with Sony's BRC-X400*1, SRG-X400*1, SRG-X120*1, BRC-X401*1,*2, SRG-201M2*1,*2, SRG-HD1M2*1,*2, BRC-H900, BRC-H800, BRC-X1000, SRG-300SE, SRG-300H, SRG-120DU, SRG-120DH and SRG-120DS cameras when they are fitted with the BRBK-IP10 option board, and the BRC-Z700 camera when it is fitted with the BRBK-IP7Z option board. Easy and economical installation and setup saves you time and cost.

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The Skaarhoj PTZ Wiz is a super compact PoE powered VISCA-over-IP controller that integrates control of video switchers like ATEM, vMix or any other SKAARHOJ supported live switcher system. It has a perfect grip and high quality knobs for your comfort. Outstanding differences from previous or similar versions Super compact, universal PTZ controller. Fits in your hand. Key Features Multi-function keys for presets, camera selection and live switching Pressure sensitive zoom rocker High quality backlit knobs for setting camera focus, exposure and more Joystick Pad, pressure direction sensitive Slim, ergonomic console form factor Ethernet with PoE (IEEE802.3af) UniSketch OS

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Get fingertip control of PTZ camera movement with the PTZ Fly from SKAARHOJ. Featuring a full-size three-axis joystick, this compact controller makes it easy to pan, tilt, and rotate your cameras. Also featured are four backlit encoder knobs with wide-screen OLED displays and six programmable four-way multifunction keys for presets and camera selection. The PTZ Fly runs the SKAARHOJ-developed open-source UniSketch OS, which is user-programmable to fit specific workflows. PoE technology simplifies setup by enabling signals and power to travel via a single cable.   Hall Effect Joystick Upgrade to an industrial precision Hall effect joystick for increased ergonomic comfort and motion precision. Key Features Four backlit encoder knobs with wide-screen OLED displays Three-axis joystick Six programmable four-way multifunction keys with bright OLED displays for presets and camera selection Slim, ergonomic console form factor Ethernet with PoE (IEEE802.3af) UniSketch OS Works with a wide range of devices an systems including Everet EVP and EVZ series, Lumens VC-A50P, NewTek NDIHX-PTZ1, Panasonic AW-HEx, PTZOptics PT20X, and Sony BRC-Z700, BRC-H900, BRC-X1000 & SRG-300

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Designed for Datavideo Robotic Pan Tilt Head The CM-10 is a professional ceiling mount which is designed for Datavideo Robotic Pan Tilt Head series, including PTR-10 MARKII and PTR-10T MARKII. The metal expanding screws included in the CM-10 package will mount the CM-10 securely to the ceiling. Robust and Durable Set Up The mounting kit is made of rugged metal and can be assembled easily and installed on the ceiling. The CM-10 can support up to 10kg load. Bubble Level Meter The bubble level meter indicates whether a surface is horizontal.

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An optional controller for PTR-10/10T MARK II, PCB-1 can perfectly control Panasonic 2-ports remote cameras PCB-1 is a camera control box designed specifically for connecting between a PTR device and a Panasonic camcorder mounted thereon in order to allow zoom, focus and iris of the camcorder to be adjusted using the RMC-180 MARK II, the RMC-300A or an IR remote control connected behind the PTR device. Designed for Datavideo PTR series. As an optional controller for PTR-10/10T MARK II, PCB-1 can perfectly control Panasonic dual-hole remote cameras.  Controls Panasonic two port remote camcorders Compatible with RMC-180 MARK II, RMC-300A and IR remote control, can control Zoom, Focus, IRIS of Panasonic camera.  Small size design Low power consumption. PCB-1 can be powered from the PTR-10 MARK II series device. 

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The ultimate tactile controller for PTZ cameras and robotic systems of different brands such as Panasonic, Sony, Canon, BirdDog, JVC, PTZ Optics, Lumens, Bolin, AIDA, Vizrt… and more. The Unique SKAARHOJ Blue Pill operating system allows the detailed control of multiple cameras from different brands. Benefits Advanced Ergonomics: Custom controls designed for comfort and efficiency in long production hours. Hall Effect Joystick: Delivers enhanced precision, reliability, and ergonomic design for extended professional use. OLED Displays: Immediate visual feedback on labels and settings for precision adjustments and true flexibility. Versatile Connectivity: Ethernet with PoE for streamlined setup and operation in any environment. Absolute Freedom in Control: Tailor every aspect of your control surface to match your workflow perfectly. Extensive Device Support: Control a wide range of cameras and devices, maximizing your system's capabilities. Durable Build Quality: Engineered for reliability and longevity, ensuring consistent performance. Innovative Design: Incorporates cutting-edge technology like the Blue Pill Platform for enhanced performance. Time Tested: Adopted by professionals worldwide, signifying its effectiveness and reliability. Features Extensive list of supported devices Advanced ergonomics Versatile connectivity via IP Durable build quality 3-axis precision Hall Effect joystick for PTZ movement Custom designed aluminum zoom rocker Stepless, friction balanced focus wheel Large assignable iris knob for exposure control 3 rows of buttons for camera selection, preset recall and menu navigation 8 backlit encoders for parameter adjustments Widescreen OLED displays for each button and knob Universal control of multiple 3rd party devices User customization with Reactor Web UI 1G Ethernet w/Power over Ethernet (PoE IEEE802.3af/t) Designed and made in Denmark Time tested – adopted by professionals worldwide

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  Rack Fusion Live by SKAARHOJ is the ultimate control solution for live production environments, combining multiple functions into a single rack-mountable unit. Designed to streamline one-man-band operations, Rack Fusion Live offers the unique ability to control live switching, PTZ cameras, and other live production devices all from one compact interface. It is a wild fusion of two well-established SKAARHOJ products - Live Fly and PTZ Fly - both combined in a chassis which allows desktop operation or rack/table mounting. Rack Fusion Live seamlessly integrates almost any live switching system with a wide variety of PTZ cameras. Benefits Compact, versatile design suitable for small production teams, offering both desk and rack mounting options. Advanced PTZ control with a 3-axis joystick ensures precise camera movements and adjustments. RGB metering LEDs and OLED displays provide clear, intuitive feedback for operators. Customizable control options, including a 9-key bus row and multi-level ME section, enhance production flexibility. Supports efficient live production workflows with multifunction keys for presets and camera selection. PoE+ connectivity simplifies power setup and integration into existing workflows. Danish craftsmanship guarantees a high-quality, reliable control solution for live production needs. Features Extensive list of supported devices Advanced ergonomics Versatile connectivity via IP Durable build quality Designed with modularity in mind 9 program/preview buttons 6 buttons and 2 encoders for comprehensive switching settings menu Dedicated buttons for transitions 2 user buttons Transition fader 6 camera select/preset recall buttons 4 encoders for comprehensive PTZ settings menu Precise joystick Multiple OLED display for labels and feedback Universal control of multiple 3rd party devices User customization with Reactor Web UI 1G Ethernet w/Power over Ethernet (PoE IEEE802.3af/t) Designed and made in Denmark Time tested – adopted by professionals worldwide

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PTZ Pro offers the ideal middle ground between PTZ Fly and PTZ Extreme, delivering enhanced control for live productions, talk shows, concerts, houses of worship, and more. With dedicated sections for PTZ presets, camera exposure, and shading control, this professional controller speeds up workflows while offering complete customizability and intuitive plug-and-play functionality for seamless operation across multiple camera brands. Benefits Hall Effect Joystick: Delivers enhanced precision, reliability, and ergonomic design for extended professional use. Direct Access Controls: Speeds up operation with dedicated buttons and knobs for immediate action. Enhanced User Interface: Large menu display and encoders for easy navigation through complex settings. Robust Construction: Built to withstand the rigors of professional use, ensuring durability. Optimized for Speed: Quick access to functions means faster response times during live production. Adaptable to Any Setup: Flexible configurations cater to a wide variety of production requirements. Efficient Power Management: PoE support ensures a clean setup with minimal cabling. Seamless Integration: Works with existing systems to enhance control without redundancy. Precision Engineering: Crafted for accuracy in control, enabling fine adjustments with ease. Features Middle ground controller between PTZ Fly and PTZ Extreme Dedicated PTZ preset section with 10 buttons and navigation keys Dedicated camera exposure and shading controls for perfect camera matching Fully customizable buttons and encoders 9 custom camera selector buttons with 4-edge detection and dynamic OLED screens Hall Effect joystick for precise camera movement Modular design for integration with other Skaarhoj control panels Magnetic side panels Plug-and-play functionality with preconfigured settings for supported cameras Powered by Blue Pill for self-contained operation without a computer Power over Ethernet (PoE) for easy setup Designed and made in Denmark

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PTZ Pro offers the ideal middle ground between PTZ Fly and PTZ Extreme, delivering enhanced control for live productions, talk shows, concerts, houses of worship, and more. With dedicated sections for PTZ presets, camera exposure, and shading control, this professional controller speeds up workflows while offering complete customizability and intuitive plug-and-play functionality for seamless operation across multiple camera brands. Benefits Direct Access Controls: Speeds up operation with dedicated buttons and knobs for immediate action. Enhanced User Interface: Large menu display and encoders for easy navigation through complex settings. Robust Construction: Built to withstand the rigors of professional use, ensuring durability. Optimized for Speed: Quick access to functions means faster response times during live production. Adaptable to Any Setup: Flexible configurations cater to a wide variety of production requirements. Efficient Power Management: PoE support ensures a clean setup with minimal cabling. Seamless Integration: Works with existing systems to enhance control without redundancy. Precision Engineering: Crafted for accuracy in control, enabling fine adjustments with ease. Features Middle ground controller between PTZ Fly and PTZ Extreme Dedicated PTZ preset section with 10 buttons and navigation keys Dedicated camera exposure and shading controls for perfect camera matching Fully customizable buttons and encoders 9 custom camera selector buttons with 4-edge detection and dynamic OLED screens Advanced joystick for precise camera movement Modular design for integration with other Skaarhoj control panels Magnetic side panels Plug-and-play functionality with preconfigured settings for supported cameras Powered by Blue Pill for self-contained operation without a computer Power over Ethernet (PoE) for easy setup Designed and made in Denmark

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PTZ Fly is your compact and versatile companion for controlling PTZ cameras and more. Whether you’re operating Panasonic, Sony, Canon, Birddog or any other leading camera brands, PTZ Fly gives you unmatched control over multiple cameras simultaneously. Beyond cameras, it integrates with an expanding library of devices, providing unparalleled flexibility for live production environments, lecture facilities, houses of worship, corporate events and more. Benefits Global Standard for Compact Control: Recognized for its efficiency and compact design in various settings. User-Friendly Interface: Intuitive controls and displays make operation straightforward for users at any skill level. Reliable Performance: Consistently delivers in demanding environments, testament to its robust design. Efficient Power Management: PoE support ensures a clean setup with minimal cabling. Rapid Deployment: Easy setup and configuration speed up preparation times for live productions. Future-Proof: Regular updates ensure compatibility with the latest devices and technologies. Ergonomic Design: Minimizes fatigue, making it ideal for extended use in live events and broadcasts. Features Extensive multi-camera support across different brands Versatile device control beyond cameras, including recorders, routers, and more Compact, portable design for flexibility in various production environments 6 Four-way buttons for maximum customization 4 backlit encoders to adjust parameters Professional Joystick for precise movements Crisp OLED screens on every button and encoder Raw Panel mode for user-written integrations Universal control with hundreds of third-party devices User customization via the Reactor Web UI Power over Ethernet (PoE) support for simple setup and operation Made in Denmark, built to last

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4K Auto Tracking PTZ Camera with HDBaseT Live productions depend on high performance cameras and camera controllers.Datavideo is introducing the 4K50/60p auto tracking PTZ camera, PTC-285T can be easily controlled via traditional RS-422 serial port, or IP remote control via DVIP or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market application. You can easily stream to Facebook (RTMPS), YouTube and dvCloud.This HDBaseT version allows single CAT-6 cable to transfer video, control, power, and tally.  One Cable Solution HDBaseT allows you to transmit power, HD video, control, and tally over a single Ethernet cable.  Quick Access to Camera's Auto Tracking You will be allowed direct access to auto tracking via various external controllers such as the supplied RMC-1 remote control and DVIP controllers (RMC-300A, RMC-180 MARK II and PTC View Assist).

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4K Auto Tracking PTZ Camera with HDBaseT Live productions depend on high performance cameras and camera controllers.Datavideo is introducing the 4K50/60p auto tracking PTZ camera, PTC-285T can be easily controlled via traditional RS-422 serial port, or IP remote control via DVIP or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market application. You can easily stream to Facebook (RTMPS), YouTube and dvCloud.This HDBaseT version allows single CAT-6 cable to transfer video, control, power, and tally.  One Cable Solution HDBaseT allows you to transmit power, HD video, control, and tally over a single Ethernet cable.  Quick Access to Camera's Auto Tracking You will be allowed direct access to auto tracking via various external controllers such as the supplied RMC-1 remote control and DVIP controllers (RMC-300A, RMC-180 MARK II and PTC View Assist).

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Brand New 4K Auto Tracking PTZ Camera Live productions depend on high performance cameras and camera controllers.Datavideo is introducing the 4K50/60p Ai tracking PTZ camera PTC-285, professional PTZ cameras help you capture your event. PTC-285 can be easily controlled via traditional RS-422 serial port, or IP remote control via DVIP (Datavideo proprietary protocol) or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market application, you can easily stream to Facebook (RTMPS), YouTube and dvCloud.PTC-285 is a series of products, Datavideo also provides extended models such as PTC-285T 4K HDBaseT and NDI to meet the needs of different workflows. Simultaneous Outputs Connect your PTC-285 to multiple devices in your workflow for flexibility. All the outputs are active at the same time. Quick Access to Camera's AI Tracking You will be allowed direct access to auto tracking via various external controllers such as the supplied RMC-1 remote control and DVIP controllers (RMC-300A, RMC-180 MARK II and PTC View Assist). In addition to camera controllers, you can also easily enable AI tracking on smart switchers which include KMU-200, SHOWCAST 100, etc as well as total solution systems like ZR-1 Zoom Room Classroom.

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Brand New 4K Auto Tracking PTZ Camera Live productions depend on high performance cameras and camera controllers.Datavideo is introducing the 4K50/60p Ai tracking PTZ camera PTC-285, professional PTZ cameras help you capture your event. PTC-285 can be easily controlled via traditional RS-422 serial port, or IP remote control via DVIP (Datavideo proprietary protocol) or Sony VISCA over IP. This brand new 4K camera series supports dual streaming output for A/V market application, you can easily stream to Facebook (RTMPS), YouTube and dvCloud.PTC-285 is a series of products, Datavideo also provides extended models such as PTC-285T 4K HDBaseT and NDI to meet the needs of different workflows. Simultaneous Outputs Connect your PTC-285 to multiple devices in your workflow for flexibility. All the outputs are active at the same time. Quick Access to Camera's AI Tracking You will be allowed direct access to auto tracking via various external controllers such as the supplied RMC-1 remote control and DVIP controllers (RMC-300A, RMC-180 MARK II and PTC View Assist). In addition to camera controllers, you can also easily enable AI tracking on smart switchers which include KMU-200, SHOWCAST 100, etc as well as total solution systems like ZR-1 Zoom Room Classroom.

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  PTC-305 4K PTZ Camera with Auto Tracking The Datavideo 4K Auto Tracking PTZ Camera PTC-305 is a high-performance tool designed for live production settings. This camera operates at 4K 50/60p with advanced auto-tracking capabilities. It can be controlled using a traditional RS-422 serial port or through IP remote control via DVIP (Datavideo's proprietary protocol) or Sony VISCA over IP. The PTC-305 series supports dual streaming output, making it ideal for A/V market applications, and facilitates easy streaming to platforms like Facebook (RTMPS), YouTube, and dvCloud. Additionally, the PTC-305 includes integrated NDI control functionality, providing enhanced flexibility and efficiency for modern live production environments. Compliant with the ONVIF Profile S standard, the PTC-305 ensures compatibility and interoperability in various network video environments. For diverse workflow needs, Datavideo offers extended models like the PTC-305T 4K HDBaseT. Simultaneous Outputs Connect your PTC-305 to multiple devices in your workflow for flexibility. All the outputs are active at the same time. Quick Access to Camera's Auto Tracking You will be allowed direct access to auto tracking via various external controllers such as the supplied RMC-1AT remote control and DVIP controllers (RMC-300A, PTC View Assist, etc.) In addition to camera controllers, you can also easily enable auto tracking on smart switchers which include iCAST mini, SHOWCAST 100, etc as well as complete solution systems like ZR-1 Hybrid Video Production Solution. Custom Auto Object Tracking If you are filming multiple people, you can designate a person for auto tracking. Once linked to the camera, only the designated person will be tracked, avoiding interferences such as the desks, people coming back and forth, large objects, etc. Smart PTZ Speed Adaptation The integrated PID algorithm is able to detect the movement speed of the identified object and automatically adjust the camera's corresponding pan, tilt and zoom speeds in such a way that the lens movement will be smooth, avoiding common camera lens movement problems like jerky movements or unpredicted halts. Broadcast Quality 4K Resolution With built-in 1/1.8" CMOS sensor, supports resolution up to 2160p 50/60. Superior Optical Performance The PTC-305 camera has 20x Optical Zoom and 16x Digital Zoom with the f1.58 wide open aperture. Multiple Simultaneous Video Outputs Supports simultaneous HDMI 2.0 and IP output up to 2160p 50/60 and also 3G-SDI output up to 1080p60/50.

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Robotic Precision, Elevated Vision: Discover PTR-15 4K Robotic Pan-Tilt head Datavideo's latest release, PTR-15, a 4K 12G-SDI robotic pan tilt head with FreeD functionality. It employs an efficient driving system to achieve smooth and precise robotic pan and tilt movements. It can be paired with most models of broadcast-grade cameras available in the market, enabling remote control of camera parameters such as pan, tilt, zoom, and aperture. The PTR-15 comes equipped with the built-in FreeD virtual tracking feature, which utilizes computer vision sensor technology to recognize and track the position and movements of the subject being filmed. The PTR-15 can be controlled using an IR controller, VISCA protocol controller, Datavideo RMC-180 MARK II camera controller, RMC- 300A universal remote control panel, and is compatible with both serial and Ethernet (DVIP) connections. Versatile Signal Connectivity The PTR-15 boasts an extensive range of signal interfaces for seamless integration with the remote head. These interfaces encompass SDI, HDMI, RS-232, RS-422, DVIP, Tally, and LANC, providing diverse connectivity options. Cost-Effective Transition to Remote PTZ Control With PTR-15, transitioning from conventional camcorder cameras to remote-controlled PTZ becomes a cost-effective solution. The system empowers a single operator to efficiently manage multi-camera remote operations. Wide Range of Compatible Cameras Supported Benefit from PTR-15's LanC control, which seamlessly integrates with a diverse selection of professional video camcorders. This compatibility empowers you to choose the optimal camcorders that align with your specific requirements. Diversified Controller Options PTR-15 accomodates a range of control options, including Serial ports, Ethernet, and LanC. Tailored to your requirements, it seamlessly supports Datavideo's RMC-180 MARK II, RMC-300A, and SHOWCAST 100 will fulfill your control needs. Support Your Cameras up to 4 Kg Weight on PTR-15 Engineered from robust aluminum alloy, PTR-15 features a super-strong design, providing a sturdy foundation for your camera setup. This construction ensures dependable support for cameras weighing up to 4 kilograms. Comprehensive IP Control In addition to the standard RS-232/422 control, the PTR-15 provides robust IP-based control, keeping up with the modern trend of IP-based systems. This technology migrates the camera control protocols and technical parameter adjustments used in high-end broadcast studios to an open IP environment. This transformation breaks away from the previous limitations of exclusive one-to-one control, enabling the free switching of different cameras and achieving precise adjustments of camera parameters such as aperture, shutter, red/blue gain, inflection point, and more. This advancement allows on-site camera operations to enter an unprecedented era of convenience.

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Robotic Precision, Elevated Vision: Discover PTR-15T 4K Robotic Pan-Tilt head Datavideo's PTR-15T is a 4K 12G-SDI HDBaseT robotic pan tilt head with FreeD functionality. It features an efficient driving system for smooth, precise pan and tilt movements. Compatible with most broadcast-grade cameras, it allows remote control of camera functions like pan, tilt, zoom, and aperture. With HDBaseT connectivity, the PTR-15T simplifies setups by transmitting 4K video, audio, control signals, and power over a single Ethernet cable, reducing clutter and extending connection distances. However, it's important to note that the PTR-15T can only be used in conjunction with the HBT-18, ensuring optimal performance and connectivity. The PTR-15T also includes a built-in FreeD virtual tracking feature, using computer vision to track subjects accurately. Control options include IR, VISCA protocol, Datavideo RMC-180 MARK II, RMC-300A, HS-1600T series, and compatibility with serial and Ethernet (DVIP) connections. Versatile Signal Connectivity The PTR-15T boasts an extensive range of signal interfaces for seamless integration with the remote head. These interfaces encompass SDI, HDMI, RS-232, RS-422, DVIP, HDBaseT, Tally, and LANC, providing diverse connectivity options. Cost-Effective Transition to Remote PTZ Control With PTR-15T, transitioning from conventional camcorder cameras to remote-controlled PTZ becomes a cost-effective solution. The system empowers a single operator to efficiently manage multi-camera remote operations. Wide Range of Compatible Cameras Supported Benefit from PTR-15T's LanC control, which seamlessly integrates with a diverse selection of professional video camcorders. This compatibility empowers you to choose the optimal camcorders that align with your specific requirements. Diversified Controller Options PTR-15T accomodates a range of control options, including Serial ports, Ethernet, and LanC. Tailored to your requirements, it seamlessly supports Datavideo's RMC-180 MARK II and RMC-300A will fulfill your control needs. Light Weight, Strong, and Sturdy Design Engineered from robust aluminum alloy, PTR-15 features a super-strong design, providing a sturdy foundation for your camera setup. This construction ensures dependable support for cameras weighing up to 4 kilograms. Comprehensive IP Control In addition to the standard RS-232/422 control, the PTR-15T provides robust IP-based control, keeping up with the modern trend of IP-based systems. This technology migrates the camera control protocols and technical parameter adjustments used in high-end broadcast studios to an open IP environment. This transformation breaks away from the previous limitations of exclusive one-to-one control, enabling the free switching of different cameras and achieving precise adjustments of camera parameters such as aperture, shutter, red/blue gain, inflection point, and more. This advancement allows on-site camera operations to enter an unprecedented era of convenience. Free-D Virtual Studio Camera Position Awareness System Communication Datavideo's PTR-15T robotic pan tilt head combines advanced pan-tilt technology with AR/VR systems. It interfaces via RS-422 to transmit pan, tilt, and zoom data to the TVS-3000 Virtual Studio Production System, ensuring seamless collaboration. For different cameras and lenses, it supports lens tracking data acquisition via ZEK-1 or ZEK-2 sensors, enabling lens zoom control and motor tracking synchronization. The RS-422 output provides 8-bit precision Free-D protocol tracking data, compatible with most virtual systems. It offers precise pan (±340 degrees) and tilt (±45 degrees) control with adjustable motion trajectories and speeds, achieving high precision. Built on Datavideo's DVIP protocol, it's compatible with TCP/IP network protocols, supporting third-party device control. You can choose the RMC-300A IP control panel with a 5-inch UI touchscreen or the RMC-180 MARK II serial control panel for dual-system control, enhancing security and reliability. Optional Accessories: ZEK-1 Zoom Encoder Kit ZEK-1 is the solution to your free running Zoom cameras. PTR-15T can read its own Pan/Tilt movement and send back to controller for position memory and recall. Now, with ZEK-1, it can detect and read out the Zoom changes. And convert those information into Zoom position to send back for controller to memory and recall the saved zoom position. Compatible with cameras via zoom moving ring.

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