Monitors & Projectie

LVM-246W is a reasonable priced broadcast monitor with new full HD and wide viewing angle IPS LCD. It supports various video interface of SD/HD/3G-SDI, HDMI, DVI, Component Video, S-Video and CVBS. Also provides professional features such as Waveform & Vectorscope, Markers, Timecode, Closed Caption and color calibration.

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The new LUM-181G monitor supports 3G/6G/12G-SDI input with a native 1920 x 1080 LCD with SD/HD/UHD/4K input support, this monitor can be anywhere including field production applications.

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A rack-mount monitor with 2 × 7" LCD screens, which has the same high performance display as LVM-074W. Wide viewing angle IPS LCD with 1024 x 600 resolution. It supports SDI in/out and HDMI input.

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The 18.5" 3G-SDI/HDMI Wide-View LCD Broadcast Monitor with HDR Emulation from TVLogic features a 1920 x 1080 IPS LCD screen and HDMI, DVI, 3G-SDI, and composite BNC inputs, as well as 3G-SDI and composite outputs. It also features a 3.5mm headphone output and both LAN and GPI ports for remote control. A stand is also supplied for desktop-mounting the monitor. This LVM-181S model also supports HLG, PQ, and PQ2 HDR emulation that can be enabled or disabled for your footage requirements.The monitor has a slim design with fairly small bezels. Built-in software features include waveform, vectorscope, closed caption, audio meter, and numerous broadcast image tools. The monitor has a brightness of 500 cd/m² and a wide viewing angle of 178°. Key Features 18.5" IPS LCD screen 1920 x 1080 native resolution HLG, PQ, PQ2 HDR support 3G-SDI level A/B, HDMI, composite BNC, and DVI inputs 3G-SDI and composite BNC outputs 3.5mm headphone output 500 cd/m² brightness 178° viewing angle LAN and GPI remote control ports Software Features Waveform/vectorscope Audio level meter display Blue only Focus assist H/V delay Key lock Marker Mono Range error Timecode display UMD User aspect Various scan modes Zoom 3D LUT Adjustable gamma CC-608 ANC CC-608 LINE 21 CC-708 OP42 OP47 TVLogic color calibration utility

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The LVM-180A is a 18.5” model with a 18.5 inch IPS LCD panel with 1920x1080 native resolution, 500 nit, enhanced contrast ratio and wide viewing angle all unmatched by other LCD monitors. A completely redesigned video processing unit provides powerful performance and artifact-free image reproduction. Support for various cinema camera log-to-linear LUTs, easy field upgradability and a full array of image processing features are standard.

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The TLM-170FM is a pull-out 17-inch 4K UHD LCD monitor which includes a Full HD 1920 x 1080px IPS panel.  The panel has a 178 degrees wide viewing angle and a brightness of 300 cd/m2 and 700:1 contrast ratio.  The field monitor features the 12G-SDI and HDMI 2.0 inputs with loop-through outputs, supporting up to DCI 4K and Ultra HD signals on both input and output.  The TLM-170F series have a variety of professional and helpful monitoring features, including waveform, vector scope, focus peaking, false color, histogram, peaking, zoom, screen markers, image flip, and more.  Moreover,  it also supports HDR for HLG and SMPTE 2084, and the presets of color space include Rec 709 and DCI P3.  The TLM-170F series are ideal for broadcast and live production applications. Rich and Natural Color High Brightness and Contrast The TLM-170FM series apply superior Full HD 1920 x 1080px IPS panel.  The high brightness and high contrast panel provides rich color, revealing subtle detail in bright highlights and dark shadow. Various Built-In Functions Support column (YRGB peak), time code, waveform, vector scope, audio vector, focus peaking, zoom, pixel to pixel, exposure, histogram, image flip, camera log, HDR / SDR, and more. Tally Light Tally light included. Best use for live production. 

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The TLM-170FR is a rack mount 17-inch 4K UHD LCD monitor which includes a Full HD 1920 x 1080px IPS panel.  The panel has a 178 degrees wide viewing angle and a brightness of 300 cd/m2 and 700:1 contrast ratio.  The field monitor features the 12G-SDI and HDMI 2.0 inputs with loop-through outputs, supporting up to DCI 4K and Ultra HD signals on both input and output.  The TLM-170F series have a variety of professional and helpful monitoring features, including waveform, vector scope, focus peaking, false color, histogram, peaking, zoom, screen markers, image flip, and more.  Moreover,  it also supports HDR for HLG and SMPTE 2084, and the presets of color space include Rec 709 and DCI P3.  The TLM-170F series are ideal for broadcast and live production applications. Rich and Natural Color High Brightness and Contrast The TLM-170FR series apply superior Full HD 1920 x 1080px IPS panel.  The high brightness and high contrast panel provides rich color, revealing subtle detail in bright highlights and dark shadow. Various Built-In Functions Support column (YRGB peak), time code, waveform, vector scope, audio vector, focus peaking, zoom, pixel to pixel, exposure, histogram, image flip, camera log, HDR / SDR, and more. Tally Light Tally light included. Best use for live production. 

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The TLM-170KM is a pull-out 17-inch 4K UHD LCD monitor which comes with an UHD 3840 x 2160px IPS panel.  The panel has a 178 degrees wide viewing angle and a brightness of 300 cd/m2 and 1000:1 contrast ratio.  The field monitor features the 12G-SDI and HDMI 2.0 inputs with loop-through outputs, supporting up to DCI 4K and Ultra HD signals on both input and output.  The TLM-170K series have a variety of professional and helpful monitoring features, including waveform, vector scope, focus peaking, false color, histogram, peaking, zoom, screen markers, image flip, and more.  Moreover,  it also supports HDR for HLG and SMPTE 2084, and the presets of color space include Rec 709 and DCI P3.  The TLM-170K series are ideal for broadcast and live production applications. Spectacular 4K Resolution High Brightness and Contrast The TLM-170KM series apply superior Ultra HD 3840 x 2160px IPS panel.  The high brightness and high contrast panel provides 8 million pixels resolution which is four times the details than Full HD panel.   The monitor is ideal for presenting 4K HDR (High Dynamic Range) content, revealing the ultimate in detail and clarity for stunning images. Various Built-In Functions Support column (YRGB peak), time code, waveform, vector scope, audio vector, focus peaking, zoom, pixel to pixel, exposure, histogram, image flip, camera log, HDR / SDR, and more. Tally Light Tally light included. Best use for live production. 

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The TLM-170KR is a rack mount 17-inch 4K UHD LCD monitor which comes with an UHD 3840 x 2160px IPS panel.  The panel has a 178 degrees wide viewing angle and a brightness of 300 cd/m2 and 1000:1 contrast ratio.  The field monitor features the 12G-SDI and HDMI 2.0 inputs with loop-through outputs, supporting up to DCI 4K and Ultra HD signals on both input and output.  The TLM-170K series have a variety of professional and helpful monitoring features, including waveform, vector scope, focus peaking, false color, histogram, peaking, zoom, screen markers, image flip, and more.  Moreover,  it also supports HDR for HLG and SMPTE 2084, and the presets of color space include Rec 709 and DCI P3.  The TLM-170K series are ideal for broadcast and live production applications. Spectacular 4K Resolution High Brightness and Contrast The TLM-170KR series apply superior Ultra HD 3840 x 2160px IPS panel.  The high brightness and high contrast panel provides 8 million pixels resolution which is four times the details than Full HD panel.   The monitor is ideal for presenting 4K HDR (High Dynamic Range) content, revealing the ultimate in detail and clarity for stunning images. Various Built-In Functions Support column (YRGB peak), time code, waveform, vector scope, audio vector, focus peaking, zoom, pixel to pixel, exposure, histogram, image flip, camera log, HDR / SDR, and more. Tally Light Tally light included. Best use for live production. 

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The TVLogic F-10H is a rugged and compact 10-inch field monitor engineered for professional on-location production where brightness, color accuracy, and flexibility are critical. With a peak luminance of 1400 nits, it ensures excellent visibility even in direct sunlight, making it ideal for outdoor shoots. The monitor is 4K compatible and features 95% DCI-P3 color gamut coverage, delivering vibrant and true-to-life images. It supports HDR monitoring with PQ, HLG, and SLog3 curves, and allows for camera-specific LUTs as well as custom 3D LUT imports, enabling precise color workflows. Designed for versatility, the F-10H combines high-end imaging performance with portability, making it a reliable companion for cinematographers and DITs in the field.   Basic Accessories D-Tap CableCamera Mount Optional Accessories DV Battery BracketV-mount BracketG-Mount BracketCarrying CaseSun HoodDC Power Adapter

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The TVLogic LVM-095W-N is a compact yet powerful 9-inch Full HD monitor designed for professional broadcast, studio, and field applications where space and precision matter. With a native resolution of 1920x1080 and 3G-SDI support, it delivers sharp, color-accurate images ideal for critical monitoring tasks. Its lightweight design and robust build make it perfect for rack-mount or portable use, while advanced features such as waveform, vectorscope, focus assist, and audio level meters ensure comprehensive signal analysis. The LVM-095W-N also supports multiple input formats and includes user-configurable function keys, making it a versatile tool for any production environment that demands reliability and clarity in a compact form factor.

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The FM-215HDR is a professional-grade 21.5-inch field monitor designed for high-end film and broadcast production. Featuring a Full HD 1920×1080 QD-LED panel, it delivers exceptional image clarity and color fidelity with 1000nits brightness and full support for PQ and HLG HDR standards. The monitor covers 100% of the DCI-P3 color gamut and incorporates VICO 1.97 A-class eye-protecting LCD technology for reduced visual fatigue during extended use. Connectivity is robust, with 12G-SDI, 4x 3G-SDI, and HDMI 2.0 4K input options. It supports 4-channel SDI/HDMI mixed-format multiview, and offers flexible display modes including PBP (Picture-by-Picture), PIP (Picture-in-Picture), and cropped horizontal/vertical PBP. The FM-215HDR features zero-latency video processing (0.01 frame), making it ideal for live production environments. Advanced calibration is built-in with 3DLUT auto self-calibration (no PC required), support for multi-camera Delog LUTs, and user-uploadable 3DLUTs via USB. Monitoring tools include waveform, focus assist, false color, and zebra. The unit comes with a flight case, screen protector, and VESA-to-C-stand adaptor for versatile mounting.

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The BM-H245 is a 23.8-inch Full HD QLED production monitor engineered for professional broadcast and film environments. Featuring a 1920×1080 resolution panel with 100% DCI-P3 wide color gamut coverage, it delivers exceptional color accuracy and visual clarity. The monitor supports a wide range of 4K input formats including 12G-SDI, 4×3G-SDI (Quad Link), and HDMI 2.0, with flexible display modes such as multiview (4-channel), picture-by-picture (PBP), and picture-in-picture (PIP). Equipped with advanced HDR/SDR EOTF support—including HLG, Dolby Vision PQ, and S-Log3—the BM-H245 ensures precise tone mapping and color space handling. It also features 18-bit internal color processing, zero-latency audio/video sync, and a suite of professional monitoring tools such as waveform, vectorscope, histogram, focus assist, false color, zebra, and 16-channel audio meters. The monitor includes 3DLUT auto self-calibration via USB using X-Rite or JETI probes, and supports user LUT uploads. Its VICO 1.97 A-class eye-protecting LCD technology reduces blue light and visual fatigue, making it ideal for long editing sessions. Remote control is available via IP webserver, and the unit supports TSL UMD and tally display for studio integration. With robust connectivity, high-end color fidelity, and ergonomic design, the BM-H245 is a powerful tool for any professional video workflow.

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The BM-H215 is a 21.5-inch Full HD broadcast monitor designed for professional studio and field production. It supports 4K input via 12G-SDI, HDMI 2.0, and Quad-Link 3G-SDI, making it compatible with a wide range of high-resolution workflows. The monitor features a 1920×1080 resolution panel with high color accuracy and advanced image processing, ensuring precise monitoring for critical applications. Equipped with HDR support including HLG and PQ (Dolby Vision), the BM-H215 delivers accurate tone mapping and dynamic range reproduction. It includes essential monitoring tools such as waveform, vectorscope, histogram, audio meters, and focus assist. The monitor also supports webserver remote control via Ethernet LAN, allowing users to adjust input sources, image parameters, and assign function keys directly from a browser without installing additional software. The BM-H215 is built with professional-grade durability and includes multiple safety and maintenance features. It comes with a standard V-mount battery plate, making it suitable for mobile setups, and includes a range of input/output ports for flexible integration. The unit is covered by a two-year warranty, with detailed usage and care instructions outlined in the official user manual.

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The Libec AS-7K Accessory Support Kit will allow you to attach LCD monitors, microphones, and others accessories to your camera and accessory plate. Using the A7 Accessory Support Adapter included in the kit, AS-7K Accessory Support Kit can also be fixed to other Libec heads. Suitable positioning of accessories can be achieved by adjusting the fitting angle. With the help of a shoe adapter, the detachable ball head can be attached to the camera. The shoe adapter can also be attached to the body of an accessory support item when not required.

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Look Back Kit for LCD monitoring Allows users to mount monitors up to 32" with VESA mounting interface.

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The F-7HS 7" Full HD Monitor is a High Brightness Field Monitor with Enhanced Sharpness, a 7" 1920x1080 resolution field monitor that offers Max Brightness of 1800nits with enhanced sharpness and peaking boost function via the refined image processing engine. With the high-quality picture and professional features, F-7HS shows the best performance anywhere.

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Rack Mount Kit for Single Monitor for LVM-095W(-N) / SRM-095W / LUM-095G.

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HDMI Bracket for F-7H / F-7H mk2 / F-7HS.

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HDMI Bracket for F-10A.

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The F-5A is a compact and light-weight field production monitor with Full HD resolution of 1920 x 1080, nice viewing angle and max luminance of 500nit. Equipped with a new image processing engine, F-5A reproduces even better sharpness and peaking boost capability for focus pullers. It also supports various video formats via 3G-SDI and HDMI 1.3 interface. And also support professional features such as Waveform/Vectorscope, Focus Assist, 3D LUT import, Camera Logs and HDR emulation.

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Rack Mount Kit for LVM-171A / LUM-171G.

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The 10" F-10A HDMI/SDI HDR Field Monitor is well suited for work in the field, on a camera, or in a studio. The slim IPS panel features a 1920 x 1080 resolution with 160° viewing angle. The F-10A features a sharp image, new touch preset buttons on the front of the monitor, and added automatic H/V flip functionality. The F-10A supports 3G-SDI as well as HDMI, and it can cross-convert between SDI and HDMI. The 300 cd/m² brightness and 1000:1 contrast ratio provide a bright clear image viewable in daylight without a hood. The screen displays HDR imagery and supports HLG, PQ, and SLOG3 modes. It features a top-mounted menu, assignable functions buttons, and a selection knob, leaving the front of the screen uncluttered. The built-in on-screen menu display allows you to select and adjust the monitor's controls and on-screen markers, load and save 3D LUTs, and select from SDR to HDR. Separately available battery plates can expand the power options of the monitor.

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HDMI Bracket for LVM-070C, 095W-N / SRM-095W / LUM-095G.

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Rack Mount Kit for Dual Monitors for LVM-095W(-N) / SRM-095W / LUM-095G.

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Rack mount Kit for LVM-170A.

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Rack Mount Kit for LVM-246A, 242S, 242W, 243W-3G, 245W, 246W, 247W, 241S / LQM-241W / LEM-250A, 250C / XVM-245-N / LUM-242G/-AG

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Rack Mount Kit for LVM-181S, LUM-181G, LUM-181H

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Blackmagic Video Assist 5” 3G is a portable monitor, a professional recorder, a portable scope and a fantastic camera viewfinder solution! You can also add better quality record codecs and a larger monitor to any SDI or HDMI camera! The new design has innovations such as 4 built in scopes, enhanced focus assist features, a tally indicator and built in 3D LUTs. The Video Assist 5” 3G support formats up to 1080p60 and the new design also has L-Series batteries for longer life. Blackmagic Video Assist 5” 3G really is 4 products in one!

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Blackmagic Video Assist 7” 3G is a portable monitor, a professional recorder, a portable scope and a fantastic camera viewfinder solution! You can also add better quality record codecs and a larger monitor to any SDI or HDMI camera! The new design has innovations such as 4 built in scopes, enhanced focus assist features, a tally indicator and built in 3D LUTs. The Video Assist 7” 3G support formats up to 1080p60 and the new design also has L-Series batteries for longer life. Blackmagic Video Assist 7” 3G really is 4 products in one!

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4K 50/60P Amazing Details Datavideo's TLM-700UHD LCD Monitor accepts 4K 50/60p inputs and displays them on a 7” screen. The monitor is a 1920x1080 Full HD panel which provides 170° of viewing angle. The field monitor supports both DCI 4K and Ultra HD signal inputs and outputs. 7'' 4K Look-Back Monitor Supports 4K/3G/HD/SD 1920x1200 panel resolution. Simple Input and Output Configuration 1x HDMI input and loop out. Compatible with Professional Cameras Compatible with DSLRs, mirrorless cameras, and camcorders. Fast and Accurate Focus Peaking The red/green/blue peaking profile helps users instantly determine proper focusing.Peaking zones can be shown during shooting, recording, and playback. Over-Exposure Analysis Exposure analysis lets users see if the brightness is too strong in certain regions of the video. Color Field Checking Provides monochrome, red, green and blue-only mode for easy color recognition and correction. Screen Flip Function Supports both vertical and horizontal rotation. Compatible with tripods, arms, and cages. Convenient for viewing from multiple angles.

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Blackmagic Video Assist 5” 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 5 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. The built in SD card recorder save files in broadcast quality 10‑bit 4:2:2 ProRes or DNx formats. The files are all standard, so you can start editing immediately without having to convert them!

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Blackmagic Video Assist 7” 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 7 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. Dual built in SD card recorders save files from any camera in 10‑bit 4:2:2 ProRes or DNx formats. You also get two mini XLR connections with 48V of phantom power and a noise floor of ‑128dBV for high quality, crystal clear audio recording. Plus, you can start editing immediately because you don’t have to convert the files!

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Camera URSA EVF - Viewfinder Eyecup

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Shinobi 7 combines a large 7” HDR screen with a calibrated peak brightness of 2200nits and the lightweight monitor-only functions of the original Shinobi. The Shinobi 7 can be used in the brightest of environments to monitor signals up to 4Kp60 via HDMI or 2Kp60 via 3G-SDI. An ideal directors’ monitor, focus pullers’ monitor, program or preview display for video switchers, and perfect for vloggers presenting to camera. Camera controls 
at your fingertips Control your favorite cameras by using the intuitive touchscreen of the Shinobi 7, designed to give you fast access to the most crucial camera features. Focus on the beautiful image and make dynamic adjustments of iris, white balance, shutter angle and ND.  With the optional Atomos USB-C to serial cable, support is available out the box for the Z Cam E2 series camera, providing direct control of all the menu configurations.  The additional USB and RJ45 control ports on the Shinobi 7 also provide support for future developments, as more options are added for touch screen camera control. HDR in the field The Shinobi 7 screen displays a stunning 10+ stops of dynamic range in real time from Log/PQ/HLG signals. Combined with our unique HDR monitoring features, the Shinobi 7 simplifies the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most – while shooting. With Adaptive Cooling, you can also prioritize reduced fan noise or the peak brightness of the display. We look after the technology so you can focus on the storytelling. Built-in 3D LUT box In addition to Log to HDR conversions, you can also use your own custom 3D LUT to feed downstream to other devices or live feed.  Load up to eight custom LUTs at any time via the SD Card Slot and instantly select between them, maintaining creative intent at all times. When using selfie mode, the large display acts as a perfect confidence monitor that allows you to ’bake-in’ a LUT to your camera input, to achieve your LOOK at capture for that perfect piece to camera.

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Met de Atomos AtomX CAST maak je van jouw Atomo Ninja V of Ninja V+ een volledige multi-camera broadcast studio. De AtomX CAST ontleent zijn naam aan "broadcast" en stelt je in staat om te schakelen tussen 4 HDMI-videobronnen en het uitgangssignaal naar verschillende apparaten, zoals een externe monitor, een recorder, een aparte switcher of een live streaming-computer te sturen. Ideaal voor bijvoorbeeld bedrijfs-, gebedshuizen-, evenementen-, familie- of studioproductieomgevingen. Functionaliteit van de AtomX CAST De AtomX CAST is speciaal ontworpen om op de achterkant van de Ninja V of Ninja V+ te worden gemonteerd en biedt 4 HDMI-ingangen die een mix van verschillende resoluties tot 1080p60 ondersteunen. De monitor kan een enkele afbeelding, Picture-in-Picture of 4-Up-modus weergeven en grafische overlays toevoegen. Het kan programma-, preview-, Picture-in-Picture- en 4-Up-displays naar de HDMI-uitgang sturen. Je kunt de bron voor monitor/uitvoer selecteren met behulp van de 4 bronknoppen, en je kunt de bron ook selecteren met behulp van het touchscreen van de monitor. Er zijn ook 4 programmeerbare functieknoppen om specifieke snelkoppelingen uit te voeren. Compatibiliteit en stroomvoorziening Met de monitor bekijk je een preview van je uitzending terwijl je deze tegelijkertijd uitvoert naar een recorder, een monitor, een projector of wanneer je de optionele AtomX Connect gebruikt voor livestreaming met behulp van een computer. Het is compatibel met de meeste streamingplatforms zoals Skype, Zoom, Teams en meer die UVC gebruiken met de meegeleverde USB Type-C-kabel. De AtomX CAST wordt van stroom voorzien via de voedingsadapter die bij je Ninja V of Ninja V+ is geleverd en geeft de stroom door aan de monitor via de accuhouder.

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The URSA Studio Viewfinder G2 features on screen as well as separate physical controls for adjusting framing and focus features. The menu dial allows customers to scroll through menus and change settings as needed. However the most exciting controls are the 3 knobs on the right side of the viewfinder, which give customers smooth control of the LCD brightness and contrast, as well as directly adjustable focus peaking control. The focus peaking control allows customers to constantly adjust peaking to make focus easy at the zoom setting customers are using. Plus, there are 3 customizable function buttons customers can program to control features such as zebra, false color, focus peaking, luminance waveform, LUTs and more. The back of the Blackmagic URSA Studio Viewfinder G2 features a large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. As the director cuts between cameras on the ATEM switcher, tally information is sent back to the camera over SDI so the light is lit when the camera is on the air. Customers only need to set the correct camera number in the URSA Broadcast G2 menus. The tally light is very large so it’s easy to see when the presenter is a long distance from the camera. Plus, the Blackmagic URSA Studio Viewfinder G2 also includes clip-on number decals that insert into the tally light, so each camera is clearly numbered and easy for presenters to see. The big bright tally light on the top of the viewfinder is one of the features that can be controlled over the SDI video connection. The Blackmagic SDI Control Protocol takes advantage of blanking space in the SDI data stream to add talkback, tally and other camera control information direct to the camera via the program return feed. This also works with the viewfinder as it has the same control sent to it from the camera via its SDI input. The Blackmagic control protocol is an open standard and is documented in the URSA Broadcast and ATEM switcher manual. That means anyone can create custom solutions for Blackmagic cameras, switchers and Blackmagic URSA Studio Viewfinder.

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The SHOGUN CONNECT builds on the ground-breaking SHOGUN product-line. Featuring a brighter screen and multiple recording options, the SHOGUN CONNECT is the first fully integrated product in the CONNECT range. It combines HDR monitoring, RAW recording, and cloud workflows. The SHOGUN CONNECT features a loop through 12G SDI IN and OUT interface with SDI RAW support included and send a signal to multiple devices. ATOMOS AirGlu™ wireless sync timecode technology which enables direct, long-range communication between devices, multiple power options to accommodate a variety of long range on-set scenarios, plus Wi-Fi 6, Gigabit Ethernet, Bluetooth LE, and USB C to ensure flexible, all-round connectivity. The SHOGUN CONNECT transforms professional cinema, mirrorless, and DSLR cameras into fully connected devices that support a range of advanced cloud-based workflows. SHOGUN CONNECT supports livestreaming to a range of online services including, Facebook Live, Twitch, and YouTube. With Wi-Fi 6, Gigabit Ethernet, and the ability to join cellular hotspots all built-in, the SHOGUN CONNECT helps filmmakers, streamers and video content producers reach their audience from anywhere.  SHOGUN CONNECT is a fully integrated Frame.io Camera to Cloud (C2C) device. Through support of HDMI and SDI equipped cameras, the device offers advanced online workflows and remote collaboration to many more filmmakers, streamers, and video content creators. With Frame.io for Adobe Creative Cloud now part of the Creative Cloud subscription, even more filmmakers will have access to cloud-based workflows.   C2C brings the domains of production and post closer together, enabling new ways for remote teams to collaborate. The dual record feature of the SHOGUN CONNECT creates matching “hero” Apple ProRes, ProRes RAW, Avid DHxHR/HD and “proxy” HEVC (H.265) files simultaneously. Proxy files can also be uploaded during capture using ATOMOS progressive transfer technology so that these files are available in the cloud as soon as recording stops. 

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Simultaneously stream and record HDMI and USB video with the ZATO CONNECT from Atomos and its 1920 x 1080 resolution 5.2" touchscreen display. The ZATO CONNECT works as a gateway to the ATOMOS Cloud Studio software thanks to its Wi-Fi 5, Gigabit Ethernet, and cellular hot spot connectivity. This allows you to fully customize your livestreaming experience by switching between video sources and mixing different audio sources—all with a single, compact device small enough to mount on a DSLR camera rig. One HDMI input, one HDMI output, and two corresponding USB Type-C ports can transform various video equipment into livestream or webcam sources. The ZATO CONNECT can record up to 1080p60 HDMI video and up to 1080p30 USB video. One 3.5mm audio input integrates a microphone or line source, which can be easily mixed with the embedded HDMI or USB signals thanks to the ZATO's audio mixer. AtomOS Lite software further customizes your recordings and streams with effects and frame guides to reinforce your branding. Power to the device can be achieved with an L-series battery or via the USB Type-C PD input. Stream from Anywhere Support for HDMI and USB UVC cameras and video sources Equipped with Wi-Fi 5 and Gigabit Ethernet via USB Type-C Ability to join cellular hostspots Stream to Facebook Live, Twitch, YouTube with ATOMOS Cloud Studio Create high-quality video for Microsoft Teams, Slack, and Zoom Each livestream is recorded as local H.264 backup to an SD card up to 128GB Combine recorded sources with live content Comprehensive I/O Input and output ports for both HDMI and USB to transform a wide variety of video equipment into a livestream or webcam source 3.5mm audio jack can add microphone or line sources and mix them with embedded audio from HDMI and USB Each channel can be adjusted independently and mixed down to a single stereo track for livestream, recording, or video presentation AtomOS Lite Software Configure streams, switch between sources, record and playback video, mix audio, and add effects Key tools like overlay effects, image zoom, and frame guides Add graphic overlays to streams or watermark recorded content Display 5.2" SuperAtom IPS LCD panel with capacitive touch 1920 x 1080 resolution 178° horizontal and vertical viewing angle 427 ppi, 1000 cd/m² brightness Rec709 color gamut Monitor Assist Functions Display flip (vertical and horizontal) Frame guides (1:1, 4:3, 4:5, 9:26, 16:9, 1.91) Grid markers (9 grid) Zoom (tap to zoom) Power Options L-series battery compatibility up to 7.6V USB Type-C PD input connector from 6.2 to 16.8V DC input connector via locking DC jack on separately available battery eliminator D-Tap via separately available D-Tap to DC cable

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